The Stork Club with Stork:
Playlist
from June 14, 2020
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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
Sunday
Noon - 3pm
(EST)
|
On
WFMU's
Give the Drummer Radio
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| Artist | Track | Album | Comments | Approx. start time |
|---|---|---|---|---|
| Nathaniel Bartlett |
Opening
|
Precipice: Modern Marimba | 0:00:00 (Pop-up) | |
| David Lang/Paul Hiller: Theater of Voices |
When It Is Time For Me To Go
|
The Little Match Girl Passion | Alto Vocals [Theatre Of Voices] – Miriam Andersén (tracks: 1 to 15) Bass Vocals [Theatre Of Voices] – Jakob Bloch Jespersen (tracks: 1 to 15) Theatre Of Voices (tracks: 1 to 15) Composed By – David Lang Soprano Vocals [Theatre Of Voices] – Else Torp* (tracks: 1 to 15) Tenor Vocals [Theatre Of Voices] – Christopher Watson (tracks: 1 to 15) Recorded At – Stavnsholt Kirke 2009, Dänemark Harmonia Mundi | 0:06:45 (Pop-up) |
| Brizio Christamente |
Fughetta in F Major
|
I don't think there is one | You tell me | 0:10:07 (Pop-up) |
| Regina Carter |
Kothbiro
|
Reverse Thread | (rain is coming) The Luo dialect, Dholuo (pronounced [d̪ólúô][3]) or Nilotic Kavirondo, is the eponymous dialect of the Luo group of Nilotic languages, spoken by about 4.2 million Luo people of Kenya and Tanzania,[4] WILL HOLSHOUSER accordion (1, 7, 8, 10 to 12) CHRIS LIGHTCAP bass (1, 4, 5, 7, 8, 10 to 12) ALVESTER GARNETT drums, percussion YACOUBA SISSOKO kora (2, 3, 6, 7, 11) REGINA CARTER violin | 0:11:32 (Pop-up) |
| Freddie Hubbard |
Black Soldier
|
Sing Me A Song Of Songmy | Artwork – Pablo Picasso Bass – Art Booth* Chorus – The Barnard-Columbia Chorus Conductor – Daniel Paget, Gene Orloff, Selwart Clarke Conductor, Organ – Arif Mardin Design – Loring Eutemey Drums – Louis Hayes Engineer – Bob Liftin, Gene Paul, Lewis Hahn* Mastered By – George Piros Photography By – Ray Ross* Piano – Kenny Barron Read By [Reciters] – Charles Grau, Freddie Hubbard, Mary Ann Hoxworth, Nhā-Khê* Synthesizer, Sounds, Mixed By, Composed By, Arranged By, Producer – İlhan Mimaroğlu* Tenor Saxophone – Junior Cook Trumpet, Flugelhorn – Freddie Hubbard | 0:17:59 (Pop-up) |
| Bachir Attar |
Under the Shadow of Liberty
|
The Next Dream | Flute – Maceo Parker (tracks: 2) Percussion [Chatan, Congas, Doff, Bass Drums, Tom Toms, Metal Percussion] – Aiyb Dieng - Senegalese drummer and percussionist. Performer [Ghaita, Gimbri, Lira], Percussion – Bachir Attar Recorded and mixed at Greenpoint Studio, Brooklyn, New York January 1992 for High Velocity | 0:20:17 (Pop-up) |
| Aqsak Maboul |
Truc Turc / I Viaggi Formano La Gioventu
|
Un Peu De L'Ame Des Bandits | cello [acoustic & electric cellos] – Denis Van Hecke; goblet drum [dumbeg], soprano saxophone, organ, – Marc Hollander; guitar [Guitars] – Fred Frith; oboe – Michel Berckmans; synthesizer [Oberheim], Piano – Frank Wuyts; written-by – traditional-- 1980 | 0:26:06 (Pop-up) |
| Dorota Barová, Jakub Vejnar, Miroslav Chyška |
Twoje Imie
|
Iluzja | Dorota Barová - violoncello, voice Jakub Vejnar - electric bass, acoustic bass & chapman stick Miroslav Chyška - electric & acoustic guitars Beata Hlavenková - piano, voice Cellist and vocalist Dorota Barová is well known above all as member of Tara Fuki and Vertigo, two outstanding Czech ensembles with whom she regularly performs on stage and in studio, https://animalmusic.cz/en/album/dorota-barova-iluzja THANK YOU, DJ CHARLIE LEWIS, FOR MAKING ME WISE!! | 0:31:15 (Pop-up) |
| Linda Perhacs |
Call Of The River
|
Parallelograms | 0:35:30 (Pop-up) | |
| DJ Urs Forever | 0:39:15 (Pop-up) | |||
| Gary Clail & On-U Sound System |
Magic Penny
|
Emotional Hooligan | Producer – Skip McDonald Written-By – B. Alexander* Written-By, Producer – D. Wimbish* Featuring – The Dub Syndicate* Written-By – G. Clail* Performer – Akabu (2), Alan Lanah Pillay*, Bernard Fowler, Big Youth, Bim Sherman, Bubblers*, David Harrow, Denise Sherwood, Doug Wimbish, Rat (2), Skip McDonald, Style Scott | 0:51:52 (Pop-up) |
| Linton Kwesi Johnson |
Street 66
|
Bass Culture | Bass – Vivian Weathers Drums – Winston Curniffe Flugelhorn, Trumpet – Dick Cuthell, Patrick Tenyve* Guitar – John Kpiaye Harmonica – Julio Finn Keyboards – Dennis Bovell, Webster Johnson Percussion – Clinton Bailey, Everald (Fari) Forrest*, Jah Bunny Tenor Saxophone – Buttons Henry Tenyve* Trombone – Rico* Vocals – Linton Kwesi Johnson 980 Island Records . | 0:54:43 (Pop-up) |
| Lloyd Williams |
Is It Because I'm Black?
|
Back to Black | Written-By – G. Watts*, J. Jones*, S. Johnson* --From the album Funky Reggae on Bamboo Records, 1971 | 0:58:22 (Pop-up) |
| The New Age Steppers |
Fade Away
|
The New Age Steppers | Bass - George Oban Bass, Percussion, Piano - Steve Beresford Drums - Style Scott Drums, Synthesizer - Bruce Smith Guitar - Crucial Tony , John Waddington Guitar, Vocals - Viv Albertine Percussion - Bruce Smith Producer - Adrian Sherwood Vocals - Ari-Up -- 1981 | 1:01:21 (Pop-up) |
| African Head Charge |
Far away chant
|
My life in a hole in the ground | Vocals – King Cry Cry; Written-By – M. Williams*; Bass – Crocodile, Lizard; Drums – Mus'come, A.V. Scott; Guitar – "Crucial" Tony; Jew's Harp [Jaws Harp] – Crocodile Percussion – Bonjo "I"*: Piano, Melodica – Doctor Pablo; Saxophone – Deadley Headley | 1:07:02 (Pop-up) |
| Gudrun Gut |
Boys Keep Swinging
|
Moment | etched in the runout groove: Wer das liest ist doof (whoever reads this is stupid) | 1:11:01 (Pop-up) |
| Barbara Morgenstern |
Das Wort
|
Fan No. 2 | Monika Enterprise – monika 05 | 1:14:08 (Pop-up) |
| Brian Eno & David Byrne |
Number 8 Mix
|
My Life in the Bush of Ghosts | 1:17:32 (Pop-up) | |
| The Last Poets |
Yond
|
Delights Of The Garden | Bass – Alex Blake (2) (tracks: 2) Bass, Guitar – Mann (2); Drums – Bernard Purdie; Vocals [Voices], Congas, Percussion – Abu Mustapha*, Suliaman El Hadi; Vocals [Voices], Percussion – Jalaluddin Mansur Nurriddin 1985 Celluloid | 1:20:53 (Pop-up) |
| Adrian Belew |
The Momur
|
Lone Rhino | Alto Saxophone, Baritone Saxophone, Vocals – William Janssen; Bass, Bass Guitar [Fretless], Vocals – J. Clifton Mayhugh; Guitar, Effects, Drums, Percussion, Lead Vocals, Written-By, Arranged By, Producer – Adrian Belew: Piano [Acoustic], Vocals – Christy Bley— 1982 | 1:25:55 (Pop-up) |
| Got DJ If You Want It | And Why Would You? | 1:29:38 (Pop-up) | ||
| Unknown Male (Fame) |
Love Changes A Man
|
Hall Of Fame: Rare And Unissued Gems From The Fame Vaults | Hall Of Fame: Rare And Unissued Gems From The Fame Vaults | 1:41:37 (Pop-up) |
| Judd Watkins |
Paradise
|
Free Angela | 1971 | 1:44:10 (Pop-up) |
| Sun Ra |
The Riddler's Retreat
|
Batman And Robin | 1:47:16 (Pop-up) | |
| Soul Encyclopedia |
Geraldine Jones
|
Free Angela | Sound Of Soul – SOS 300 | 1:49:22 (Pop-up) |
| Presidents, The |
Which Way
|
Crash of Thunder: Boss Soul, Funk and R&B Sides | Originally: Deluxe (2) – 45-127 | 1:52:00 (Pop-up) |
| The Swinging Seven |
Football
|
Crash of Thunder: Boss Soul, Funk and R&B Sides | Compilation Producer [Project Coordated By] – Íñigo Munster* Compiled by and Liner Notes by – Matt "Mr. Fine Wine" Weingarden | 1:54:48 (Pop-up) |
| Golden Palominos |
Clean Plate
|
Golden Palominos | ARTO LINDSAY – vocals, guitar; ANTON FIER – drums, oberheim DMX, percussion; FRED FRITH – guitar, violin; BILL LASWELL – bass guitar; JOHN ZORN – alto saxophone, clarinet, game calls; DAVID MOSS – percussion; JAMAALADEEN TACUMA – Steinberger bass guitar; Label: Celluloid – 1983 | 1:57:20 (Pop-up) |
| Stock, Hausen & Walkman |
Keep going Wee Wee (mix)
|
Buffed Up | Notes by Matt Wand - he's the guy: I guess it would have been weird for Vicki NOT to ask for a remix for her epic 2 CD birthday celebration. a (welcome?) return to ‘silly’. in the company of: Bruce Gilbert, negativland, farmers manual, vvm, coil, mika vaino, felix kubin, xper xr financial recompense: mates rates, ie: just a couple of copies of the CD | 0:00:00 (Pop-up) |
| Stock, Hausen & Walkman |
...AND THAT’S THE MAGIC OF HOPE mix
|
Buffed Up | an art project CD by mr A Dunn who, to his credit, specialises in diverting arts council funding into publishing inscrutable sound releases on cassette or CD. The participants see nothing of said funding but are safe in the knowledge that art will save them and that the resultant Disks will remain under a bed somewhere for future generations to discover and declare their ‘genius’ via the various intergalactic sociopsychic networks that will be available by then. The theme was ‘Hope’ so in this all the 1 or 2 word punchlines of a Bob Hope address to an audience of soldiers due to be dispatched to their deaths in frontline WW2 conflicts are truncated into a kind of pitiful poetry of non sequiturs and laughter. in the company of: project dark, ruth jarman, reed ghazala, max eastley, paul devens & Laurence. financial recompense: none, yr doin’ it for ‘art’ son. | 2:07:03 (Pop-up) |
| And then he babbled... | 2:08:18 (Pop-up) | |||
| Alexander Hawkins, Tomeka Reid |
Peace On You
|
Shards And Constellations | Piano – Alexander Hawkins Cello – Tomeka Reid Music By – Muhal Richard Abrams Recorded 13th April 2019 by (...) at Challow Park Studios, Oxfordshire, United Kingdom | 2:15:45 (Pop-up) |
| jay Hoggard |
Samba pa Negra
|
Solo Vibraphone | Released on India Navigation n 1979. | 2:25:31 (Pop-up) |
| Andrew Cyrille |
Pioneering
|
What About ? | Andrew Cyrille - drums & percussion, whistles Rec. August 11, 1969 | 2:35:24 (Pop-up) |
| Doug Carn |
Blue in Green
|
Spirit of the New Land | • Doug Carn - leader, piano, electric piano, organ • Jean Carn - vocals • George Harper - tenor saxophone, soprano saxophone, bass clarinet, flute, reed flute • Charles Tolliver - flugelhorn • Garnett Brown - trombone • Earl McIntyre - tuba • Al Mouzon - drums 1975 | 2:40:05 (Pop-up) |
| Pat Martino. Ben Tucker, Eddie Green, Lenny McBrown , Tyrone Brown |
East!
|
East! | Bass - Tyrone Brown; Drums – Lenny McBrowne; Guitar – Pat Martino Piano – Eddie Green Recorded In New York City, January 8, 1968 | 2:45:16 (Pop-up) |
| Art Ensemble of Chicago |
Promenade: Cote Bamako II
|
Urban Bushmen | Lester Bowie: trumpet, bass drum, long horn, vocals; • Malachi Favors Maghostut: bass, percussion, melodica, vocals; • Joseph Jarman: saxophones, vocals, clarinets, bassoon, flutes, percussion; • Roscoe Mitchell: saxophones, flute, percussion, clarinet, vocals; • Don Moye: sun percussion, vocals; • Recorded at a 1980 concert in Munich | 2:57:57 (Pop-up) |
| Gil Scott-Heron and Brian Jackson |
Peace Go With You, My Brother (As-Salaam-Alaikum)
|
Winter in America | Written-By – B. Jackson*, Scott-Heron; Bass [Fender] – Danny Bowens; Drums [Traps] – Bob Adams; Electric Piano, Piano [Acousti;c], Vocals – Brian Jackson; Electric Piano, Vocals – Gil Scott-Heron | 3:03:23 (Pop-up) |
| DJ Adee | Thank you, Clubsters! Peace Go With You... | 3:08:48 (Pop-up) |
| WFMU's Give the Drummer Radio and The Stork Club denounces explicit and implicit racism. We condemn the culture of white supremacy, which enables the brutalization of black people and other communities of color. We support Black Lives Matter and the movement it stands for. |
||
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Listener comments!
Wolfgang:
fleep:
doctorjazz:
Martinibomb:
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
TDK60:
fleep:
Wolfgang:
Granny Spicy Tuna (e/em):
Jeff Golick:
Granny Spicy Tuna (e/em):
fleep:
chresti @griffith Park Tennis parking lot:
coelacanth∅:
hey Wolfgang and all
?:
Wolfgang:
WR:
Wolfgang:
Only Clubbery by alcohol at the Stork!!!
Irene Trudel:
Wolfgang:
chresti @griffith Park Tennis parking lot:
coelacanth∅:
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
coelacanth∅:
coelacanth∅:
StringOFperils:
Wolfgang:
Granny Spicy Tuna (e/em):
Irene Trudel:
Wolfgang:
doctorjazz:
Granny Spicy Tuna (e/em):
TDK60:
StringOFperils:
Wolfgang:
Granny Spicy Tuna (e/em):
StringOFperils:
StringOFperils:
johnzo:
Irene Trudel:
Granny Spicy Tuna (e/em):
Ike:
TDK60:
coelacanth∅:
Wolfgang der Doof:
Doug Schulkind:
Wolfgang der Doof:
coelacanth∅:
doctorjazz:
Wolfgang der Doof:
doctorjazz:
fleep:
Dean:
Granny Spicy Tuna (e/em):
TDK60:
coelacanth∅:
Granny Spicy Tuna (e/em):
Doug Schulkind:
Wolfgang der Doof:
WR:
I was washing dishes etc for most of the set. I noted the weird take on the Beatles song and was going to comment how it sounded like some studio pop guys reading chart based on one of those crappy piano / guitar sheet music that used to see of all the hits in music stores. And the musicians are following the hastily released sheet music having never heard and not caring about the original. Again reality is far more complex and weird than I can imagine. Admittedly I have a limited imagination.
Wolfgang der Doof:
zerosounds.blogspot.com...
StringOFperils:
Wolfgang der Doof:
StringOFperils:
WR:
Granny Spicy Tuna (e/em):
Dean:
TDK60:
Wolfgang der Doof:
StringOFperils:
StringOFperils:
Wolfgang der Doof:
coelacanth∅:
Wolfgang der Doof:
StringOFperils:
duke:
doctorjazz:
Granny Spicy Tuna (e/em):
coelacanth∅:
everyone take care
doctorjazz:
StringOFperils:
doctorjazz:
Wolfgang der Doof:
Wolfgang der Doof:
WR: