WFMU: If You Lose Your Horse with Sam Segal: Playlist from October 26, 2022

Listener comments!
	🥁 10:00pm Threemoons 🌛🌝🌜: Evening!
	10:02pm StringOFperils: Atz my boy, Lenny!
	10:02pm Sam Segal: Welcome to the Lenny Zone, Threemoons!
	10:02pm Sam Segal: String! I hope you like strings!
	10:03pm northguineahills: always a dream march.... i suppose i can dream of march....
	10:04pm Sam Segal: Find yourself marching a lot in your dreams, NGH?
	10:06pm northguineahills: @sam: hs marching band? thankfully, no (although I did enjoy the experience).
	10:07pm northguineahills: good theme, sam! (just noticed)
	10:08pm StringOFperils: Trauer in German is sorrowful or mournful, as opposed to Traum in German (dream)...
	10:10pm Sam Segal: Glad you dig it, NGH. What instrument did you play in the HS marching band?
	10:12pm StringOFperils: High School marching band would make a good recurring dream
	10:12pm StringOFperils: With this music
	10:12pm zzz: evening Sam and all
	10:17pm northguineahills: @Sam: Mellophone (marching french horn).
	10:18pm northguineahills: @SOP: didn't see the "r". (or the 'e' for that matter).
	10:19pm Sam Segal: Welcome, zzz!
	10:20pm Sam Segal: Marching french horn! I thought playing it sitting down was supposed to be hard enough.
	10:20pm doctorjazz: Hey Sam and all you out there!
	10:21pm Sam Segal: Top of the evening to you, Doc!
	10:21pm StringOFperils: I'm not surprised; those compound-words NGH. It reassures me that I havent' forgotten all of mein Deutsch
	10:22pm Dean: I think I read recently in Fanfare that this is the desert island recording of the Sibelius fifth, per the reviewer.
	10:22pm zzz: looking forward to this show. also not super familiar with all things bernstein, etc but familiar with that mahler from an uri caine release (urlicht/primal light) where he plays it, featuring a bunch of the downtown heroes-
	10:23pm doctorjazz: Closer to the bottom of the evening (just time-wise)
	10:23pm coelacanth∅: howdy Sam, y'all
	10:25pm northguineahills: @SOP: it's more of me carelessly looking and seeing what letters my tired eyes want to see..
	10:25pm Sam Segal: Dean! I'm glad you're here. Please correct any of my inevitable errors and misunderstandings around classical music. I am a bit of a neophyte on this terrain.
	10:25pm Sam Segal: Good to see you, Coel!
	10:25pm doctorjazz: Meditation time, will need to catch the beginning of the show tomorrow, looks great!
	10:27pm Dean: This particular passage in the Sibelius just lifts my heart...
	10:27pm Sam Segal: @zzz, that Uri Caine release looks really cool. Haven't heard it yet.
	10:28pm Sam Segal: See you in the archives, Doc. Have a good meditation and sleep!
	10:28pm Dean: I'm no classical music expert, not by a long shot. I know what I like. That Caine record is hella fun, as is his Schumann thing. The Bach is a bit of a stretch.
	10:29pm Sam Segal: I love that big swell at the end of the first movement of this Sibelius.
	10:32pm zzz: whew!!
	10:32pm Dean: Sibelius is a master at big swells.
	10:33pm Dean: Will you play excerpts from Chichester Psalms?
	10:33pm northguineahills: I'm more of a sucker for sibelius's four legends of the kalevala
	10:35pm Sam Segal: @Dean, that was not one of the Bernstein pieces I ended up getting my hands on. I have some other highlights from his compositional oeuvre though.
	10:36pm Dean: The boy treble is sublime.
	10:39pm Dean: There's the song Dick Cavett used as his talk show theme song, "Glitter and Be Gay."
	10:41pm Sam Segal: I didn't manage to squeeze in any Candide either, I'm afraid.
	10:44pm rw: Hey hey
	10:45pm Sam Segal: "And it was good" to see you, rw! Hello!
	10:46pm Dean: Mass has suffered from, to say the least, mixed reviews over the years.
	10:47pm Sam Segal: And yet, Dean...it was good.
	10:48pm Aaron in Minneapolis: Hey there
	10:48pm northguineahills: I never even heard of Mass until now. I need to brush up on my bernstein....(which i suppose sam is doing for me)
	10:49pm northguineahills: Aaron!
	10:50pm Aaron in Minneapolis: North. Comment board royalty
	10:50pm Dean: The history of the liturgy is just fascinating.
	10:50pm doctorjazz: Beck listening for a short while. I have that Uri Caine album, and some of his other albums in Winter & Winter records. I saw him perform it at the old Knitting Factory (the 2nd Manhattan one), which was amazing!
	10:52pm doctorjazz: *Back listening...
	10:54pm Dean: The mass begins with Jewish traditions. See Otto Dix, The Shape of the Liturgy. He was an Episcopalian priest.
	10:55pm northguineahills: @dj jazz: I still like picturing, "beck listening." i know i saw uri caine in 2001, but i can't remember who he played w/...
	10:55pm Sam Segal: King Aaron! Welcome back.
	10:55pm Dean: Make that Gregory Dix, Otto being a marvelous expressionist painter.
	10:56pm Sam Segal: I would like to see Otto Dix's expressionist history of the liturgy though.
	10:57pm Sam Segal: Glad to have you back as long as we can keep you, Doc. I saw Uri Caine during one of Zorn's all-star fundraiser shows at the Stone, where the artists improvise together in different on-the-spot combinations.
	10:58pm doctorjazz: (Wonder if I can find the Caine/Mahler...). He had a great album of music from the turn from 19th to 20th Century, and also tHe Goldberg Variations.
	10:59pm Dean: Saw Caine at the Skirball Center in LA with Don Byron and others around that time, doctorjazz. I am just about 0% spiritual, but something about the liturgy grabs me. Caine's GV missed the mark, I thought.
	11:00pm Dean: I've spent the past couple of years diving into Shostakovich's 48 and his string quartets. Bountiful rewards.
	11:00pm doctorjazz: I saw him with Don Byron as well, more than once, and with the Mahler presentation (his ensemble included a turntablist).
	11:01pm northguineahills: @drjazz: was it dj logic?
	11:02pm northguineahills: (if so, then my memory might still be kicking)
	11:03pm doctorjazz: Have tix to see The New Masada, end of November @ Roulette.
	11:03pm doctorjazz: I'm sure it was, ngh.
	11:03pm Sam Segal: Great programming at Roulette this season.
	11:05pm doctorjazz: Yup, also have tix to see the Weber/Morris Big Band @ Roulette.
	11:05pm northguineahills: i haven't seen masada since 2007 (used to see them multiple times per year). the first time I saw John Zorn was in '98 in FL w/ Masada... (sam rivers trio opened)
	11:06pm doctorjazz: Saw the original Masada many times at the old Knitting Factory. Still think that band was one of the best live experiences I've had...
	11:08pm Dean: I never saw Masada live, but I have to agree 100% with you, doctorjazz. The very definition of ensemble.
	11:08pm zzz: maybe dj olive.. he’s collaborated with caine and is on the mahler release
	11:08pm Dean: Saw Electric Masada, which was spectacular.
	11:11pm zzz: sam rivers trio opening for masada sounds fantastic . reminding me of the great steven bernstein tzadik release ‘diaspora blues’ with the rivers trio
	11:11pm doctorjazz: Saw Electric Masada as well, but the quartet (with Dave Douglas) Was (to me, imo, all those disclaimers) the absolutely best conglomeration.
	11:11pm rw: Sam! What the heck?
	11:12pm rw: Sorry, that last blast kind of scared me.
	11:14pm doctorjazz: Took me a while to get into the Steven Bernstein/Sam Rivers album (as opposed to the other Bernstein/Tzadik albums, which I loved instantly), but I did get into it with some listening.
	11:14pm zzz: speaking of masada, caine etc you know what’s also really great? the masada book 2 release Stolas which is OG masada quartet minus zorn but with uri caine and joe lovano on tenor
	11:15pm Sam Segal: Sorry, rw. It is spooky season, after all!
	11:15pm doctorjazz: Zzz, you could be right on the DJ, long time ago...
	11:15pm zzz: and here we are in the dybbuk suite
	11:16pm doctorjazz: This is quite intense!
	11:16pm Sam Segal: Haha right on time, zzz.
	11:17pm Sam Segal: This is the score to a ballet that Bernstein wrote for Jerome Robbins.
	11:18pm doctorjazz: Don't know Stolas (impossible to keep up with Tzadik/Zorn releases, and I have a ton of them)
	11:19pm zzz: i like that this isn’t overtly /obviously “jewish” but probably need to listen to the whole thing for proper context
	11:21pm doctorjazz: Alrright, up at 6, been fun chatting/listening, but need that sleep. Night all!
	11:21pm Sam Segal: Yeah, that "Kabbalah" part before this one had some Klezmer sounding parts to it, but then I played this "Dream" section because I also wanted something that had the slightly surreal eeriness that I imagine could be part of a story about a Dybbuk.
	11:21pm Sam Segal: Sleep well, Doc!
	🥁 11:22pm WR: Hi Sam, drummer streamers. Have been listening all evening. Interesting choices, Sam, will listen again when I'm not so distracted but gonna be focused for the last half hour.
	11:22pm zzz: later docj
	11:24pm Sam Segal: Glad to know you've been with us all along, WR. I always save the music most worth focusing on for the end, so you're in luck.
	11:25pm zzz: leonardbernstein.com... “In Jewish folklore, a dybbuk is a wandering soul which enters into a living person and talks through his mouth, presenting a separate and alien personality. The story of Ansky's play is about two young lovers secretly pledged to each other before birth by the oath of their fathers. The pledge is broken by the girl's father, who betroths her to another, so the boy, in despair, dabbles in black arts. To his misfortune, he is successful and becomes a dybbuk which enters the body of his beloved.“
	11:26pm Sam Segal: Man, I would love to see that ballet performed someday. What a premise.
	11:27pm zzz: same!
	🥁 11:33pm WR: "Traditionally, dybbuks tended to be male spirits who possessed women on the eve of their weddings typically in a sexual fashion by entering the women through their vaginas which is seen in Ansky's play."
	🥁 11:34pm WR: en.wikipedia.org...
	11:37pm northguineahills: zzz! Nah, it wasn't olive, I would have been front and center. I remember it was logic b/c he was hitting on the girl I was w/ (at least on that show).
	11:38pm Dean: Did Lenny spend much time with Bruckner? That would be interesting...
	11:38pm Sam Segal: Wow, I wonder if they went all the way there in the ballet adaptation, WR.
	11:40pm zzz: hah, logic always seemed like a pretty nice dude but that’s pretty cold @ngh!
	11:42pm Sam Segal: @Dean...here's a quote from Bernstein on Bruckner: "'Look, there are no real orgasms in Bruckner's music,' Bernstein said. 'He doesn't reach a climax. He's always gonna be, but it never happens. He takes so long to make his points. He's very loquacious. No matter what you say about Mahler, he made his points'." www.abruckner.com...
	11:42pm rw: Totally feel like I'm at the Philharmonic.
	11:43pm Sam Segal: I hope you've got your tux on, rw.
	11:43pm Dean: That's instructive. I'd take that to mean that there are no real Bernstein orgasms in Bruckner, 'cuz, well, ahem.
	11:44pm northguineahills: @zzz: tbf, the girl in question sort of sought it out for gigs (she was a vj/video artist). But unlike other gigs (akron/family[i introduced her to the AF lads], and a place to bury strangers, who were super cool) logic just came across as skeevy. I still dig him as a musician.
	11:44pm rw: There's a lot of sexy talk going on here tonight. Tux on. In spirit anyway.
	11:50pm northguineahills: I have worn a tie to see the NY Philharmonic (but I was wearing one at work earlier that day anyways).
	11:50pm Dean: Besides, there are many ways other than orgasm to "climax" or "go beyond" the physical phenomenon or its literary/musical figure. Imagine the intensity as one approaches, however long it takes, "no real orgasm." Asymptotes turn me on.
	12:01am rw: I'm liking the Ives.
	12:02am northguineahills: That was a great take on Ives...
	12:02am northguineahills: sam does it again, thankssssss. night, y'all!
	12:03am zzz: thanks for this show SS, goodnight all!
	12:03am spodiodi: thanks, Sam! enjoyed the program
	12:04am rw: Yes. Thank you as always Sam. Be sure to pledge to your show. Good night everyone! Make your way out through the exits.
	12:05am Dean: Folks, if three pony up $30, Sam will have achieved the goal!
	🥁 12:05am WR: Thank you Sam.
	12:05am Dean: WFMU should play a lot more classical.
	12:27pm doctorjazz: Got to listen all the way through this morning, loved the show, thanks Sam! (And what Dean said, last comment)

If You Lose Your Horse with Sam Segal: Playlist from October 26, 2022

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October 26, 2022: The Maestro Mounts the Horse This Time: A Tribute to Leonard Bernstein

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Artist	Track	Album	Label	Approx. start time
Leonard Bernstein & New York Philharmonic	Symphony No.5 in C-sharp Minor - Part I - 1. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt	Mahler: Symphony No. 5 In C-sharp Minor	Sony Classical	0:00:00 (Pop-up)

Leonard Bernstein & New York Philharmonic	Symphony No.5 in E-flat major, Op.82: I. Tempo molto moderato - Largomente	Sibelius: Symphonies Nos. 4 & 5	Sony Classical	0:19:02 (Pop-up)
Leonard Bernstein & New York Philharmonic	Symphony No.5 in E-flat major, Op.82: II. Allegro - Presto	Sibelius: Symphonies Nos. 4 & 5	Sony Classical	0:29:17 (Pop-up)
Leonard Bernstein	Prelude, Fugue and Riffs for solo clarinet and Jazz Ensemble - II. Fugue for the Saxes	Bernstein Conducts Bernstein	Deutsche Grammophon	0:32:06 (Pop-up)
Leonard Bernstein	Prelude, Fugue and Riffs for solo clarinet and Jazz Ensemble - III. Riffs for Everyone	Bernstein Conducts Bernstein	Deutsche Grammophon	0:35:15 (Pop-up)
Leonard Bernstein	No. 8: Cool "No. 8: Cool" by "Leonard Bernstein"	West Side Story	Deutsche Grammophon	0:38:03 (Pop-up)
Leonard Bernstein	IX. Gospel-Sermon: "God Said"	Mass	Columbia Masterworks	0:42:39 (Pop-up)

Leonard Bernstein & New York Philharmonic	Symphony No.5 in D Minor, Op. 47 - III. Largo	Shostakovich: Symphony Nos. 5 & 9	Sony Classical	0:54:38 (Pop-up)
Leonard Bernstein	VII. Meditation #2	Mass	Columbia Masterworks	1:09:49 (Pop-up)
Paul Sperry, Bruce Fifer, New York Philharmonic Orchestra, Leonard Bernstein	Dybbuk Suite No.1 : 3. Kabbalah	The Leonard Bernstein Collection - Volume One	Deutsche Grammophon	1:13:36 (Pop-up)
Leonard Bernstein & New York Philharmonic	Dybbuk Suite No.2 : 4. Dream	The Leonard Bernstein Collection - Volume One	Deutsche Grammophon	1:18:14 (Pop-up)
Leonard Bernstein & New York Philharmonic	Symphony No.7 in D minor, Op.70 - 3. Scherzo. Vivace - Poco meno mosso	Dvorak: Symphony No.7	Sony Classical	1:23:25 (Pop-up)

Leonard Bernstein & New York Philharmonic	Symphony No.7 in E minor - II. Nachtmusik. Allegro moderato	Mahler: Symphony No. 7	Sony Classical	1:37:36 (Pop-up)
Leonard Bernstein & New York Philharmonic	Central Park in the Dark	Ives: Central Park In The Dark	Deutsche Grammophon	1:54:33 (Pop-up)
Michele Tozzetti	13 Anniversaries: III. For Stephen Sondheim	Bernstein: Complete Solo Piano Music	Piano Classics	2:00:58 (Pop-up)

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Listener comments!
	🥁 10:00pm Threemoons 🌛🌝🌜: Evening!
	10:02pm StringOFperils: Atz my boy, Lenny!
	10:02pm Sam Segal: Welcome to the Lenny Zone, Threemoons!
	10:02pm Sam Segal: String! I hope you like strings!
	10:03pm northguineahills: always a dream march.... i suppose i can dream of march....
	10:04pm Sam Segal: Find yourself marching a lot in your dreams, NGH?
	10:06pm northguineahills: @sam: hs marching band? thankfully, no (although I did enjoy the experience).
	10:07pm northguineahills: good theme, sam! (just noticed)
	10:08pm StringOFperils: Trauer in German is sorrowful or mournful, as opposed to Traum in German (dream)...
	10:10pm Sam Segal: Glad you dig it, NGH. What instrument did you play in the HS marching band?
	10:12pm StringOFperils: High School marching band would make a good recurring dream
	10:12pm StringOFperils: With this music
	10:12pm zzz: evening Sam and all
	10:17pm northguineahills: @Sam: Mellophone (marching french horn).
	10:18pm northguineahills: @SOP: didn't see the "r". (or the 'e' for that matter).
	10:19pm Sam Segal: Welcome, zzz!
	10:20pm Sam Segal: Marching french horn! I thought playing it sitting down was supposed to be hard enough.
	10:20pm doctorjazz: Hey Sam and all you out there!
	10:21pm Sam Segal: Top of the evening to you, Doc!
	10:21pm StringOFperils: I'm not surprised; those compound-words NGH. It reassures me that I havent' forgotten all of mein Deutsch
	10:22pm Dean: I think I read recently in Fanfare that this is the desert island recording of the Sibelius fifth, per the reviewer.
	10:22pm zzz: looking forward to this show. also not super familiar with all things bernstein, etc but familiar with that mahler from an uri caine release (urlicht/primal light) where he plays it, featuring a bunch of the downtown heroes-
	10:23pm doctorjazz: Closer to the bottom of the evening (just time-wise)
	10:23pm coelacanth∅: howdy Sam, y'all
	10:25pm northguineahills: @SOP: it's more of me carelessly looking and seeing what letters my tired eyes want to see..
	10:25pm Sam Segal: Dean! I'm glad you're here. Please correct any of my inevitable errors and misunderstandings around classical music. I am a bit of a neophyte on this terrain.
	10:25pm Sam Segal: Good to see you, Coel!
	10:25pm doctorjazz: Meditation time, will need to catch the beginning of the show tomorrow, looks great!
	10:27pm Dean: This particular passage in the Sibelius just lifts my heart...
	10:27pm Sam Segal: @zzz, that Uri Caine release looks really cool. Haven't heard it yet.
	10:28pm Sam Segal: See you in the archives, Doc. Have a good meditation and sleep!
	10:28pm Dean: I'm no classical music expert, not by a long shot. I know what I like. That Caine record is hella fun, as is his Schumann thing. The Bach is a bit of a stretch.
	10:29pm Sam Segal: I love that big swell at the end of the first movement of this Sibelius.
	10:32pm zzz: whew!!
	10:32pm Dean: Sibelius is a master at big swells.
	10:33pm Dean: Will you play excerpts from Chichester Psalms?
	10:33pm northguineahills: I'm more of a sucker for sibelius's four legends of the kalevala
	10:35pm Sam Segal: @Dean, that was not one of the Bernstein pieces I ended up getting my hands on. I have some other highlights from his compositional oeuvre though.
	10:36pm Dean: The boy treble is sublime.
	10:39pm Dean: There's the song Dick Cavett used as his talk show theme song, "Glitter and Be Gay."
	10:41pm Sam Segal: I didn't manage to squeeze in any Candide either, I'm afraid.
	10:44pm rw: Hey hey
	10:45pm Sam Segal: "And it was good" to see you, rw! Hello!
	10:46pm Dean: Mass has suffered from, to say the least, mixed reviews over the years.
	10:47pm Sam Segal: And yet, Dean...it was good.
	10:48pm Aaron in Minneapolis: Hey there
	10:48pm northguineahills: I never even heard of Mass until now. I need to brush up on my bernstein....(which i suppose sam is doing for me)
	10:49pm northguineahills: Aaron!
	10:50pm Aaron in Minneapolis: North. Comment board royalty
	10:50pm Dean: The history of the liturgy is just fascinating.
	10:50pm doctorjazz: Beck listening for a short while. I have that Uri Caine album, and some of his other albums in Winter & Winter records. I saw him perform it at the old Knitting Factory (the 2nd Manhattan one), which was amazing!
	10:52pm doctorjazz: *Back listening...
	10:54pm Dean: The mass begins with Jewish traditions. See Otto Dix, The Shape of the Liturgy. He was an Episcopalian priest.
	10:55pm northguineahills: @dj jazz: I still like picturing, "beck listening." i know i saw uri caine in 2001, but i can't remember who he played w/...
	10:55pm Sam Segal: King Aaron! Welcome back.
	10:55pm Dean: Make that Gregory Dix, Otto being a marvelous expressionist painter.
	10:56pm Sam Segal: I would like to see Otto Dix's expressionist history of the liturgy though.
	10:57pm Sam Segal: Glad to have you back as long as we can keep you, Doc. I saw Uri Caine during one of Zorn's all-star fundraiser shows at the Stone, where the artists improvise together in different on-the-spot combinations.
	10:58pm doctorjazz: (Wonder if I can find the Caine/Mahler...). He had a great album of music from the turn from 19th to 20th Century, and also tHe Goldberg Variations.
	10:59pm Dean: Saw Caine at the Skirball Center in LA with Don Byron and others around that time, doctorjazz. I am just about 0% spiritual, but something about the liturgy grabs me. Caine's GV missed the mark, I thought.
	11:00pm Dean: I've spent the past couple of years diving into Shostakovich's 48 and his string quartets. Bountiful rewards.
	11:00pm doctorjazz: I saw him with Don Byron as well, more than once, and with the Mahler presentation (his ensemble included a turntablist).
	11:01pm northguineahills: @drjazz: was it dj logic?
	11:02pm northguineahills: (if so, then my memory might still be kicking)
	11:03pm doctorjazz: Have tix to see The New Masada, end of November @ Roulette.
	11:03pm doctorjazz: I'm sure it was, ngh.
	11:03pm Sam Segal: Great programming at Roulette this season.
	11:05pm doctorjazz: Yup, also have tix to see the Weber/Morris Big Band @ Roulette.
	11:05pm northguineahills: i haven't seen masada since 2007 (used to see them multiple times per year). the first time I saw John Zorn was in '98 in FL w/ Masada... (sam rivers trio opened)
	11:06pm doctorjazz: Saw the original Masada many times at the old Knitting Factory. Still think that band was one of the best live experiences I've had...
	11:08pm Dean: I never saw Masada live, but I have to agree 100% with you, doctorjazz. The very definition of ensemble.
	11:08pm zzz: maybe dj olive.. he’s collaborated with caine and is on the mahler release
	11:08pm Dean: Saw Electric Masada, which was spectacular.
	11:11pm zzz: sam rivers trio opening for masada sounds fantastic . reminding me of the great steven bernstein tzadik release ‘diaspora blues’ with the rivers trio
	11:11pm doctorjazz: Saw Electric Masada as well, but the quartet (with Dave Douglas) Was (to me, imo, all those disclaimers) the absolutely best conglomeration.
	11:11pm rw: Sam! What the heck?
	11:12pm rw: Sorry, that last blast kind of scared me.
	11:14pm doctorjazz: Took me a while to get into the Steven Bernstein/Sam Rivers album (as opposed to the other Bernstein/Tzadik albums, which I loved instantly), but I did get into it with some listening.
	11:14pm zzz: speaking of masada, caine etc you know what’s also really great? the masada book 2 release Stolas which is OG masada quartet minus zorn but with uri caine and joe lovano on tenor
	11:15pm Sam Segal: Sorry, rw. It is spooky season, after all!
	11:15pm doctorjazz: Zzz, you could be right on the DJ, long time ago...
	11:15pm zzz: and here we are in the dybbuk suite
	11:16pm doctorjazz: This is quite intense!
	11:16pm Sam Segal: Haha right on time, zzz.
	11:17pm Sam Segal: This is the score to a ballet that Bernstein wrote for Jerome Robbins.
	11:18pm doctorjazz: Don't know Stolas (impossible to keep up with Tzadik/Zorn releases, and I have a ton of them)
	11:19pm zzz: i like that this isn’t overtly /obviously “jewish” but probably need to listen to the whole thing for proper context
	11:21pm doctorjazz: Alrright, up at 6, been fun chatting/listening, but need that sleep. Night all!
	11:21pm Sam Segal: Yeah, that "Kabbalah" part before this one had some Klezmer sounding parts to it, but then I played this "Dream" section because I also wanted something that had the slightly surreal eeriness that I imagine could be part of a story about a Dybbuk.
	11:21pm Sam Segal: Sleep well, Doc!
	🥁 11:22pm WR: Hi Sam, drummer streamers. Have been listening all evening. Interesting choices, Sam, will listen again when I'm not so distracted but gonna be focused for the last half hour.
	11:22pm zzz: later docj
	11:24pm Sam Segal: Glad to know you've been with us all along, WR. I always save the music most worth focusing on for the end, so you're in luck.
	11:25pm zzz: leonardbernstein.com... “In Jewish folklore, a dybbuk is a wandering soul which enters into a living person and talks through his mouth, presenting a separate and alien personality. The story of Ansky's play is about two young lovers secretly pledged to each other before birth by the oath of their fathers. The pledge is broken by the girl's father, who betroths her to another, so the boy, in despair, dabbles in black arts. To his misfortune, he is successful and becomes a dybbuk which enters the body of his beloved.“
	11:26pm Sam Segal: Man, I would love to see that ballet performed someday. What a premise.
	11:27pm zzz: same!
	🥁 11:33pm WR: "Traditionally, dybbuks tended to be male spirits who possessed women on the eve of their weddings typically in a sexual fashion by entering the women through their vaginas which is seen in Ansky's play."
	🥁 11:34pm WR: en.wikipedia.org...
	11:37pm northguineahills: zzz! Nah, it wasn't olive, I would have been front and center. I remember it was logic b/c he was hitting on the girl I was w/ (at least on that show).
	11:38pm Dean: Did Lenny spend much time with Bruckner? That would be interesting...
	11:38pm Sam Segal: Wow, I wonder if they went all the way there in the ballet adaptation, WR.
	11:40pm zzz: hah, logic always seemed like a pretty nice dude but that’s pretty cold @ngh!
	11:42pm Sam Segal: @Dean...here's a quote from Bernstein on Bruckner: "'Look, there are no real orgasms in Bruckner's music,' Bernstein said. 'He doesn't reach a climax. He's always gonna be, but it never happens. He takes so long to make his points. He's very loquacious. No matter what you say about Mahler, he made his points'." www.abruckner.com...
	11:42pm rw: Totally feel like I'm at the Philharmonic.
	11:43pm Sam Segal: I hope you've got your tux on, rw.
	11:43pm Dean: That's instructive. I'd take that to mean that there are no real Bernstein orgasms in Bruckner, 'cuz, well, ahem.
	11:44pm northguineahills: @zzz: tbf, the girl in question sort of sought it out for gigs (she was a vj/video artist). But unlike other gigs (akron/family[i introduced her to the AF lads], and a place to bury strangers, who were super cool) logic just came across as skeevy. I still dig him as a musician.
	11:44pm rw: There's a lot of sexy talk going on here tonight. Tux on. In spirit anyway.
	11:50pm northguineahills: I have worn a tie to see the NY Philharmonic (but I was wearing one at work earlier that day anyways).
	11:50pm Dean: Besides, there are many ways other than orgasm to "climax" or "go beyond" the physical phenomenon or its literary/musical figure. Imagine the intensity as one approaches, however long it takes, "no real orgasm." Asymptotes turn me on.
	12:01am rw: I'm liking the Ives.
	12:02am northguineahills: That was a great take on Ives...
	12:02am northguineahills: sam does it again, thankssssss. night, y'all!
	12:03am zzz: thanks for this show SS, goodnight all!
	12:03am spodiodi: thanks, Sam! enjoyed the program
	12:04am rw: Yes. Thank you as always Sam. Be sure to pledge to your show. Good night everyone! Make your way out through the exits.
	12:05am Dean: Folks, if three pony up $30, Sam will have achieved the goal!
	🥁 12:05am WR: Thank you Sam.
	12:05am Dean: WFMU should play a lot more classical.
	12:27pm doctorjazz: Got to listen all the way through this morning, loved the show, thanks Sam! (And what Dean said, last comment)

If You Lose Your Horse with Sam Segal: Playlist from October 26, 2022

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