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This is where all of culture and all of time are collapsed into one seductive portal and viewed through the panoramic lens of the exotic. Come and embark on an armchair-travel virtual-voyage to the heart of timeless darkness and beyond; embrace the numinous monolith of the exotic immensity. Let us find that place where hybridization meets its destiny as pure fantasy. Let us become observers observing those others who are ourselves. You wear your mask and I'll wear mine.
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Artist | Track | Album | Year | Comments | Approx. start time |
---|---|---|---|---|---|
Intro | |||||
Bert Kaempfert & His Orchestra | Solitude | Afrikaan Beat | 1962 | ||
Bert Kaempfert & His Orchestra | Cherokee (Indian Love Call) | Afrikaan Beat | 1962 | 0:05:25 (Pop-up) | |
Bert Kaempfert & His Orchestra | Trumpet in the Night | Afrikaan Beat | 1962 | 0:09:04 (Pop-up) | |
Bert Kaempfert & His Orchestra | Where or When | Afrikaan Beat | 1962 | 0:12:28 (Pop-up) | |
Bert Kaempfert & His Orchestra | Bert's Tune | Afrikaan Beat | 1962 | 0:15:09 (Pop-up) | |
Bert Kaempfert & His Orchestra | Just As Much As Ever | Afrikaan Beat | 1962 | 0:18:02 (Pop-up) | |
Music behind DJ: Stanley Black and His Orchestra |
Isn't It Heavenly |
Red Velvet |
0:21:44 (Pop-up) |
||
Ted Heath and His Music | Come Close To Me | Latin Swingers! | 1961 | also released under the title "Ted Heath Goes Latin" | 0:30:16 (Pop-up) |
Ted Heath and His Music | Brazil | Latin Swingers! | 1961 | 0:31:43 (Pop-up) | |
Ted Heath and His Music | Amor | Latin Swingers! | 1961 | 0:33:52 (Pop-up) | |
Ted Heath and His Music | Frenesi | Latin Swingers! | 1961 | 0:37:13 (Pop-up) | |
Ted Heath and His Music | Perfidia | Latin Swingers! | 1961 | 0:39:23 (Pop-up) | |
Ted Heath and His Music | The Breeze and I | Latin Swingers! | 1961 | 0:42:26 (Pop-up) | |
Edmundo Ros And His Orchestra | Toreador's Song (Carmen) | Ros At The Opera – Latin American Tempos for Dancing | 1959 | Bizet | 0:46:25 (Pop-up) |
Edmundo Ros And His Orchestra | The Quartet (Rigoletto) | Ros At The Opera – Latin American Tempos for Dancing | 1959 | Verdi | 0:48:28 (Pop-up) |
Edmundo Ros And His Orchestra | Intermezzo (Cavalleria Rusticana) | Ros At The Opera – Latin American Tempos for Dancing | 1959 | Mascagni | 0:50:18 (Pop-up) |
Edmundo Ros And His Orchestra | Caro Nome (Rigoletto) | Ros At The Opera – Latin American Tempos for Dancing | 1959 | Verdi | 0:51:15 (Pop-up) |
Edmundo Ros And His Orchestra | Flower Song (Faust) | Ros At The Opera – Latin American Tempos for Dancing | 1959 | Gounod | 0:52:21 (Pop-up) |
Edmundo Ros And His Orchestra | Drinking Song (La Traviata) | Ros At The Opera – Latin American Tempos for Dancing | Verdi | 0:56:58 (Pop-up) | |
Music behind DJ: |
The Psychologically Ultimate Seashore |
1:01:47 (Pop-up) |
|||
Caterina Valente with Edmundo Ros & his Orchestra | Canto Karabali (Jungle Drums) | Fire & Frenzy | 1960 | 1:08:01 (Pop-up) | |
Caterina Valente with Edmundo Ros & his Orchestra | Baiao | Fire & Frenzy | 1960 | 1:09:58 (Pop-up) | |
Caterina Valente with Edmundo Ros & his Orchestra | Recado | Fire & Frenzy | 1960 | 1:12:50 (Pop-up) | |
Caterina Valente with Edmundo Ros & his Orchestra | Ba | Fire & Frenzy | 1960 | 1:15:57 (Pop-up) | |
Caterina Valente with Edmundo Ros & his Orchestra | Contiga En La Distancia | Fire & Frenzy | 1960 | 1:17:03 (Pop-up) | |
Caterina Valente with Edmundo Ros & his Orchestra | Adios | Fire & Frenzy | 1960 | 1:20:03 (Pop-up) | |
Monte Moya & The Surfers | I Waited So Long | Percussionata | 1963 | 1:23:09 (Pop-up) | |
Monte Moya & The Surfers | Black Orchid | Percussionata | 1963 | 1:25:32 (Pop-up) | |
Monte Moya & The Surfers | Lucero | Percussionata | 1963 | 1:29:15 (Pop-up) | |
Monte Moya & The Surfers | Masa Coti | Percussionata | 1963 | 1:34:21 (Pop-up) | |
John McFarland Sextet | Where or When | Provocatif - 9 Exotic Motifs | 1959 | 1:38:28 (Pop-up) | |
John McFarland Sextet | Forbidden | Provocatif - 9 Exotic Motifs | 1959 | 1:43:03 (Pop-up) | |
John McFarland Sextet | Midnight by a Persian Waterfall | Provocatif - 9 Exotic Motifs | 1959 | 1:46:15 (Pop-up) | |
John McFarland Sextet | Head Hunters | Provocatif - 9 Exotic Motifs | 1959 | 1:48:43 (Pop-up) | |
Music behind DJ: |
Caribbean Lagoon |
1:51:09 (Pop-up) |
|||
Billy Mure and his Orchestra | Drums of India | Around the World in Percussion | 1961 | "Electronic magic carpet of melody in percussion" | 1:59:00 (Pop-up) |
Billy Mure and his Orchestra | Petticoats of Portugal | Around the World in Percussion | 1961 | 2:00:49 (Pop-up) | |
Billy Mure and his Orchestra | Chinatown My Chinatown | Around the World in Percussion | 1961 | 2:01:55 (Pop-up) | |
Billy Mure and his Orchestra | By the Waters of the Minnetonka | Around the World in Percussion | 1961 | 2:03:53 (Pop-up) | |
Billy Mure and his Orchestra | Managua Nicaragua | Around the World in Percussion | 1961 | 2:05:41 (Pop-up) | |
Billy Mure and his Orchestra | The Japanese Sandman | Around the World in Percussion | 1961 | 2:07:35 (Pop-up) | |
The 50 Guitars of Tommy Garrett | Enchanted Island | Return to Paradise | 1965 | 2:10:36 (Pop-up) | |
The 50 Guitars of Tommy Garrett | Pearly Shells | Return to Paradise | 1965 | 2:13:53 (Pop-up) | |
The 50 Guitars of Tommy Garrett | Quiet Village | Return to Paradise | 1965 | 2:16:12 (Pop-up) | |
The 50 Guitars of Tommy Garrett | Soft Sands | Return to Paradise | 1965 | 2:19:31 (Pop-up) | |
The 50 Guitars of Tommy Garrett | Bali Ha'i | Return to Paradise | 1965 | 2:22:26 (Pop-up) | |
The 50 Guitars of Tommy Garrett | Red Sails in the Sunset | Return to Paradise | 1965 | 2:25:19 (Pop-up) | |
Music behind DJ: Syntonic Research Series |
Wood-Masted Sailboat |
2:27:58 (Pop-up) |
|||
Bill Ewing at the Organ with the Viennese Symphonic Orchestra | Caesar and Cleopatra | Cleopatra | 196? | vocal: Helen Alexandria | 2:38:19 (Pop-up) |
Joe Maneri & Group | The Nile | The Music of Cleopatra on the Nile | 1963 | uncredited on LP; drummer Pete Dolger | 2:45:33 (Pop-up) |
Joe Maneri & Group | Palm Rendezvous | The Music of Cleopatra on the Nile | 1963 | 2:50:26 (Pop-up) | |
Joe Maneri & Group | Song of the Pyramids | The Music of Cleopatra on the Nile | 1963 | 2:53:03 (Pop-up) | |
Leda Annest & Phil Moore | Portrait Of Leda, Part I | Portrait of Leda | 1958 | 2:57:41 (Pop-up) | |
Leda Annest & Phil Moore | Portrait Of Leda, Part II | Portrait of Leda | 1958 | 3:08:11 (Pop-up) | |
Bill Ewing at the Organ with the Viennese Symphonic Orchestra | Antony and Cleopatra | Cleopatra | 196? | vocal: Helen Alexandria | 3:19:44 (Pop-up) |
Music behind DJ: Dan Gibson |
Sound of the Surf |
Solitudes: Environmental Sound Experiences, Volume Two |
3:26:20 (Pop-up) |
||
Herb Alpert & The Tijuana Brass | The Lonely Bull (El Solo Toro) | The Lonely Bull | 1962 | 3:33:55 (Pop-up) | |
Herb Alpert & The Tijuana Brass | El Lobo (The Wolf) | The Lonely Bull | 1962 | 3:35:33 (Pop-up) | |
Herb Alpert & The Tijuana Brass | Tijuana Sauerkraut | The Lonely Bull | 1962 | 3:38:11 (Pop-up) | |
Herb Alpert & The Tijuana Brass | Desafinado | The Lonely Bull | 1962 | 3:41:18 (Pop-up) | |
Herb Alpert & The Tijuana Brass | Mexico | The Lonely Bull | 1962 | 3:44:39 (Pop-up) | |
Herb Alpert & The Tijuana Brass | Never On A Sunday | The Lonely Bull | 1962 | 3:47:32 (Pop-up) | |
Trio Los Panchos | Besame Mucho | Canciones Del Corazon | 1960 | 3:51:16 (Pop-up) | |
Trio Los Panchos | Perfidia | Canciones Del Corazon | 1960 | 3:53:14 (Pop-up) | |
Trio Los Panchos | Magic is the Moonlight | Canciones Del Corazon | 1960 | 3:57:58 (Pop-up) | |
Trio Los Panchos | Amor | Canciones Del Corazon | 1960 | 3:59:02 (Pop-up) | |
Trio Los Panchos | Yours | Canciones Del Corazon | 1960 | 4:01:43 (Pop-up) | |
Trio Los Panchos | You Belong To My Heart | Canciones Del Corazon | 1960 | 4:04:40 (Pop-up) | |
Jerry Murad's Harmonicats | El Coco | South American Nights | 1956 | 4:07:48 (Pop-up) | |
Jerry Murad's Harmonicats | Inspiration | South American Nights | 1956 | 4:09:56 (Pop-up) | |
Jerry Murad's Harmonicats | Amapola | South American Nights | 1956 | 4:12:54 (Pop-up) | |
Jerry Murad's Harmonicats | Maria Elena | South American Nights | 1956 | 4:15:57 (Pop-up) | |
Jerry Murad's Harmonicats | Valencia | South American Nights | 1956 | 4:17:31 (Pop-up) | |
Jerry Murad's Harmonicats | La Rosita | South American Nights | 1956 | 4:19:55 (Pop-up) | |
Music behind DJ: |
Heavy Surf on Rocky Point and Along a Sand Spit |
4:22:52 (Pop-up) |
|||
Buck Clayton, Trummy Young, Dicky Wells, George Johnson, Billy Taylor, Al McKIbbon, Brick Fleagle, Jimmy Crawford | Saratoga Special; Sentimental Summer; Harlem Cradle Song; My Good Man Sam | Jazz All Stars | 1958 | 4:31:34 (Pop-up) | |
Sandy Williams, Joe Thomas, Harry Carney, Johnny Hodges, Jimmy Jones, Brick Fleagle, Sid Weiss, Shelly Manne | Chili Con Carney, Mountain Air, After Hours on Dream Street, Sumpin' Jumpin' Around Here | Jazz All Stars | 1958 | 4:41:22 (Pop-up) | |
Alfred Newman & Ken Darby | Madonna of the Flowers | Ports of Paradise | 1960 | 4:52:38 (Pop-up) | |
Alfred Newman & Ken Darby | To You Sweetheart, Aloha | Ports of Paradise | 1960 | 4:54:31 (Pop-up) |
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Listener comments!
Flash Strap:
XapnoMapcase:
Flash Strap:
Hi there Xapno with the Mapcase!
hyde:
doctorjazz:
Flash Strap:
zonk ludlow:
Flash Strap:
Flash Strap:
zonk ludlow:
hyde:
hyde:
Flash Strap:
Flash Strap:
Flash Strap:
northguineahills:
Flash Strap:
Flash Strap:
geezerette:
listener james from westwood:
zonk ludlow:
geezerette:
Flash Strap:
Hi Listener James! You have a new face too!
@Zonk: indeed
still b/p:
Flash Strap:
Flash Strap:
Flash Strap:
Flash Strap:
still b/p:
Flash Strap:
Flash Strap:
doctorjazz:
Flash Strap:
doctorjazz:
Flash Strap:
geezerette:
zonk ludlow:
still b/p:
The funny thing about a bunch of the 60s Doris Day flicks is that, despite their squeaky clean pose and rep, they are overloaded with suggestiveness....about "it," who wants "it," whether she will do "it, " misunderstandings around "it."
northguineahills:
Flash Strap:
Flash Strap:
geezerette:
Wonder if that was so children could be dragged to the theater.
melinda:
coelacanth∅:
still b/p:
We were shown one movie a year in the auditorium at the Catholic school I attended. One year it was The Glass Bottom Boat. It only occurred to me later to wonder what the nuns thought of the semi-farce moments late in the film regarding who's gullibly waiting for Doris in which bedroom...and to wonder how the film passed muster at all.
Flash Strap:
Flash Strap:
hyde:
Flash Strap:
Flash Strap:
melinda:
geezerette:
Howdy, Coel & Melinda!
Hyde, amazing!
I'm seeing an incredible Technicolor production number in my head! :D
still b/p:
Bup bah ba dada...
Of course, it ain't the b-word at all. Like much of this music...I don't know why...it strikes a significant chord of appeal with me.
doctorjazz:
Flash Strap:
Flash Strap:
geezerette:
Flash Strap:
Flash Strap:
northguineahills:
Flash Strap:
the other thing that inspired tonight's wanderings: I've been exploring my stacks in preparation for a more high-effort marathon premium this year. it will be all relatively obscure exotica from my own collection, and going through everything made me want to do another all-vinyl show
Flash Strap:
still b/p:
northguineahills:
Flash Strap:
Flash Strap:
still b/p:
www.youtube.com...
Flash Strap:
Flash Strap:
Flash Strap:
Flash Strap:
hyde:
Flash Strap:
yellowbird:
hyde:
Flash Strap:
Flash Strap:
still b/p:
My connection gets chokey and balky often enough, but is good tonight.
still b/p:
www.youtube.com...
And then there are some stumbled-on Enoch Light cha-chas to browse. See what you incite?
Flash Strap:
guillotines when?
Flash Strap:
Flash Strap:
glenn:
Flash Strap:
Flash Strap:
still b/p:
Flash Strap:
Flash Strap:
Flash Strap:
still b/p:
Flash Strap:
northguineahills:
Flash Strap:
still b/p:
Flash Strap:
northguineahills:
XapnoMapcase:
Flash Strap:
JtotheK:
Flash Strap:
northguineahills:
(looking a map porn to make into a shower curtain right now, although I'm done geographizing for the day).
Flash Strap:
northguineahills:
Flash Strap:
Flash Strap:
still b/p:
XapnoMapcase:
northguineahills:
@still b/p: I'm getting my boss to put up (my) maps and photos of out study sites to brighten the office to add some context and color.
still b/p:
Jut had a look at Perry's studio flavor. Like my apartment, only while my mess is fairly eclectic it's less purposeful. Saw an unfortunate post-burn view of his studio, too. One of his reported comments: "I am so sad and my wife is so mad."
Flash Strap:
I'm seeing him perform Super Ape in January, I wonder what on earth that will be like?
northguineahills:
still b/p:
Flash Strap:
XapnoMapcase:
Flash Strap:
Flash Strap:
still b/p:
Alex In Illinois:
Flash Strap:
Alex In Illinois:
Dean:
Flash Strap:
Flash Strap:
Dean:
Not to mention a poem by Yeats.
JtotheK:
still b/p:
Dean:
Flash Strap:
melinda:
northguineahills:
northguineahills:
Flash Strap:
Flash Strap:
northguineahills:
Flash Strap:
Dean:
Flash Strap:
Flash Strap:
Dean:
still b/p:
The animated Ferdinand the Bull movie, fresh made, in the typical pattern for such adaptations, looks like it has NOTHING of the story's fundamental simplicity, nor the charm or style of the original illustrations, which is discouraging. How you'd keep those qualities in a full-length picture, I don't know. But it seems a far departure.
still b/p:
Flash Strap:
whipped cream has That Cover but wow does the Bull beat it on tunes
Dean:
We have always done it.
Dean:
Flash Strap:
Dean:
Flash Strap:
XapnoMapcase:
Flash Strap:
Hate to say goodbye, love to say thanks for tuning in, Xapno
Flash Strap:
still b/p:
melinda:
Flash Strap:
I love that, Melinda
Dean:
The Atlantic picked it up: https://www.theatlantic.com/technology/archive/2017/12/it-might-be-impossible-for-future-historians-to-understand-our-internet/547463/
If your time is strictly limited, read the Atlantic article. Otherwise, read Cliff's piece as well. WFMU is responsibly archiving its record, to the benefit of many *future* listeners. Consider the situations Cliff addresses...
Flash Strap:
zonk ludlow:
Flash Strap:
Flash Strap:
zonk ludlow:
zonk ludlow:
Flash Strap:
still b/p:
geezerette:
Thanks Dean!
Alex In Illinois:
Flash Strap:
geezerette:
Flash Strap:
Flash Strap:
geezerette:
Pretty sure plantation workers didn't wear them...
still b/p:
Flash Strap:
geezerette:
Dean:
Dean:
costume tango sleeves ruffles site:wikipedia.org
still b/p:
Flash Strap:
zonk ludlow:
zonk ludlow:
Flash Strap:
Same to you, Zonk, and I'll be sure to let you know how the show is, though we'll be together in the comments before then I'm sure
coelacanth∅:
Flash Strap:
coelacanth∅:
...interesting, for sure, but a little frustrating when we weren't expecting it and hoped to be skanking all night.
Flash Strap:
coelacanth∅:
anyway that was in the 90s; maybe he's got most of that off his chest by now!
Flash Strap:
still b/p:
Flash Strap:
northguineahills:
Flash Strap:
zonk ludlow:
northguineahills:
Flash Strap:
no drop outs! thanks for being with me tonight, friends
geezerette:
coelacanth∅:
when i saw him, his band was awesome...and clearly tired of sitting there not playing for i think over an hour. (during Scratch's 2nd rant of the night)
still b/p:
Flash Strap:
next week, Little Danny returns (but I do not) and the week after that, I shall return to close out another year of the Explorers Room
Flash Strap:
coelacanth∅:
good night all