A440 / Stochastic Hit Parade with Bethany Ryker:
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from October 13, 2014
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All the spectacle and clamor you crave...without those pesky crowds.
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October 13, 2014: A440, Op. 3, No. 16. Casella, Berkeley, Panufnik & Villa-Lobos pay hommage to Debussy
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| Artist | Track | Album | Label | Comments | Approx. start time |
|---|---|---|---|---|---|
| Sergei Prokofiev |
String Quartet No. 1 in B Minor, Op. 50, I. Allegro
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String Quartets 1 & 2 | Collins Classics | 0:00:00 (Pop-up) | |
| 0:15:25 (Pop-up) | |||||
| Claude Debussy |
12 Etudes: No. 9 Pour les notes Repetees, version for orchestra (1915)
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Debussy Complete Orchestral Works | Naxos | Orchestre National de Lyon | 0:15:50 (Pop-up) |
| Alfredo Casella |
Six Studies, Op. 70, IV. On Repeated Notes (1942)
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9 Pieces / 6 Studies / 2 Ricercari | Naxos | Luca Ballerini, piano | 0:18:24 (Pop-up) |
| Alfredo Casella |
Six Studies, Op. 70, V. On Fifths (Hommage to Chopin No. 2) (1942)
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0:21:40 (Pop-up) | |||
| Lennox Berkeley |
3 Mazurkas, Op. 32, "Hommage a Chopin" I. Allegro
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Lennox Berkeley & Michael Berkeley Piano Music | Chandos | Margaret Fingehut, piano | 0:22:48 (Pop-up) |
| Lennox Berkeley |
3 Mazurkas, Op. 32, "Hommage a Chopin" II. Allegretto
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0:25:21 (Pop-up) | |||
| Andrej Panufnik |
Suita Polska, "Hommage a Chopin" (arr for flute & orchestra1966)
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0:26:45 (Pop-up) | |||
| Hector Villa-Lobos |
Hommage a Chopin, Paris 1949
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0:30:15 (Pop-up) | |||
| 0:43:53 (Pop-up) | |||||
| David Diamond |
Night Music for Accordion & String Quartet
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0:44:06 (Pop-up) | |||
| Marcel Tyberg |
Piano Sonata No. 2, IV.
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Fabio Bidini, piano | 0:54:21 (Pop-up) |
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Listener comments!
Revolution Rabbit Nov63:
...back home for Bethany440 now - a rich & wonderful evening...
TDK60:
Revolution Rabbit Nov63:
SeanG:
12539:
! I X Key !:
\I love this show!!!!!
(o:
ranjit:
Bethany Ryker:
Revolution Rabbit Nov63:
...'Alfredo entered the Conservatoire de Paris in 1896 to study piano under Louis Diémer and composition under Gabriel Fauré; in these classes, George Enescu and Maurice Ravel were among his fellow students. During his Parisian period, Claude Debussy, Igor Stravinsky, and Manuel de Falla were acquaintances, and he was in contact with Ferruccio Busoni, Gustav Mahler, and Richard Strauss as well.
Casella developed a deep admiration for Debussy's output after hearing Prélude à l'après-midi d'un faune in 1898, but pursued a more romantic vein (stemming from Strauss and Mahler) in his own writing of this period, rather than turning to impressionism. His first symphony of 1905 is from this time, and it is with this work that Casella made his debut as a conductor when he led the symphony's premiere in Monte Carlo in 1908'...
t_J:
ranjit:
Revolution Rabbit Nov63:
t_J:
Bethany Ryker:
t_J:
Bethany Ryker:
t_J:
t_J:
Revolution Rabbit Nov63:
- & how Not Applauding between Movements is actually a more recent thing - & people even sometimes demanded Beethoven repeat movements in his own time !...Also interesting looking up wigkey (wiki) about Villa-Lobos - a Brazillian - the intereaction of 'Classical' (/'Academic') music & 'Folk' musics - but of course it would be - in Stravinsky (Russian) - & anybody....
12539:
Revolution Rabbit Nov63:
P-90:
marge:
https://www.youtube.com/watch?v=44q-e00OS3A
with no sound and listening to this program. It is so very lovely