Freeful, Formless.
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Artist | Track | Album | Comments | Approx. start time | ||||||
---|---|---|---|---|---|---|---|---|---|---|
Regent Desforges and Nicole Kelly |
Alleluiah Alleluiah Le Christ L'Avait Promis
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J'ai quitté ma maison (DBR of Canada 1972) |
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0:00:00 (Pop-up) | ||||||
The Mallard |
Ants
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Yes On Blood [Castle Face 2013] | 0:04:36 (Pop-up) | |||||||
V-Effect |
Lecture on 8th Avenue
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VA - Peripheral Vision (Zoar 1982) | 0:07:42 (Pop-up) | |||||||
Amy Sheffer |
Dancing on Places
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Sanctuary Mine (1979 I AmShee Records) |
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0:12:23 (Pop-up) | ||||||
Tajalli |
Dashti
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VA - Collection of Iranian Music 17 - Tasnifs 1920 - 1940 | 0:22:34 (Pop-up) | |||||||
La Yegros |
Carino
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Viene D Mi (2013) | 0:28:26 (Pop-up) | |||||||
Babla and Kanchan |
Chuk Chuk Gadi Chali
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Kuchh Gadbad Hai [Rohit International Records 1984] | 0:32:44 (Pop-up) | |||||||
The Dics (Ida Rojani, Ita Sitomoul, Nenny Triana) |
Aih Pomo Deh Kamu
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Tjinta Palsu [Starco 196x] | 0:39:19 (Pop-up) | |||||||
Jing Li [Malaysia] |
[Side B, track no. 2]
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TAHAN TLP 9906 [1978] | 0:41:27 (Pop-up) | |||||||
Riverside High School Stage Band |
Lullaby for Myself
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ST (1961 Kings International) |
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0:49:54 (Pop-up) | ||||||
Paul Metsa |
Stars Over The Prairie
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Paper Tigers (1984 Raven Records) | 0:52:53 (Pop-up) | |||||||
Danny Long |
Our Happiness In Love
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She's Here At Last (1971) | 0:57:23 (Pop-up) | |||||||
Kay Brown (voc.) James Wilson (lyrics) |
The Dreamer
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VA - The Now Sounds of Today (Columbine 197x) | 1:00:32 (Pop-up) | |||||||
Eugene Deluca |
Awake Dreaming
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Discover Each Other (Love Records 196x) | 1:02:51 (Pop-up) | |||||||
The Forest Haven School Choir |
To Me It's Wonderful
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Harold Elks - Organist [Mental Health Administration, D.C. Department of Human Resources, Laurel, MD |
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1:05:34 (Pop-up) | ||||||
Los Issifu and His Moslems |
Guenku Waye
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Tanga Beat (Brobisco 197x) |
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1:12:25 (Pop-up) | ||||||
Vieux Farka Toure |
Allah Wawi
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Mon Pays (2013) | 1:16:19 (Pop-up) | |||||||
Mohammed Abdelwahab |
Saket Leih Ya Lissani
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Les Chansons Eternelles Vol. VII [Les Artistes Arabes Associés – LPB 558] | 1:25:24 (Pop-up) | |||||||
Walid Gholmieh |
Fezzan
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Libyan Folk Dances [1977 Duniaphone MT13350] |
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1:31:42 (Pop-up) | ||||||
Ubayd Salim |
Song [Afro-Arabian Crossroads]
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VA - The Afro-Arabian Crossroad, Music of the Tihama on the Red Sea [Lyrichord 197x] | 1:34:58 (Pop-up) | |||||||
God Unlimited |
Ride On
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Ride On (1969) |
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1:44:31 (Pop-up) | ||||||
Famous Ward Gospel Singers |
Keep Your Hand on the Plow
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The Famous Ward Gospel Singers Recorded Live at Disneyland [1963] | 1:52:01 (Pop-up) | |||||||
Hattie Whittle |
The Church Is Marching
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Hattie Whittle's Original Sacred Songs [1983 Whittle Records] |
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1:54:36 (Pop-up) | ||||||
Riverside High School Stage Band |
Here, There, and Everywhere
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ST (1961 Kings International) |
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1:58:40 (Pop-up) | ||||||
Petra Skriver |
Let Me Grow Quietly In They Garden
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Universal Devotional Songs (1979) | 2:02:25 (Pop-up) | |||||||
Molle |
Straben-Song
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Kotten Musik (1979) |
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2:04:51 (Pop-up) | ||||||
Claire Charasz |
Qand je serons
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La mare au diable (CC1 1971) |
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2:13:58 (Pop-up) | ||||||
Ximo & Judy |
Nem E Maracatu
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Via Brasil (1983) | 2:15:44 (Pop-up) | |||||||
Nam Hong |
Private Eyes, Southern Rainbow
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OST - Ban Jin Ba Liang [Tweedledum and Tweedledee] 1976 | 2:18:45 (Pop-up) | |||||||
Koncz Zsuzsa |
Valahol egy lany
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Kis Virag [1971] | 2:20:55 (Pop-up) | |||||||
Beo Wulf |
It's Too Late To Turn Back Now
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Too Late to Turn Back Now (196x CROWN Records CST-631) |
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2:24:20 (Pop-up) | ||||||
Hubert Smith & Coral Islanders |
Bermuda Is Another World
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We Three - Bermuda Is Another World (Edmar 1968) |
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2:27:28 (Pop-up) | ||||||
Steffen Presley (voc) Jenny Craig McKenzie (lyrics) |
AIDS Is Out
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Hollywood Gold [1980 Rainbow Records HG-570] | 2:34:17 (Pop-up) | |||||||
Roland Young |
Victim
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Hearsay Evidence [198x Flow Chart Records] | 2:36:12 (Pop-up) | |||||||
Kay Brown (voc.) L.C. Simmons (lyrics) |
Run Pusher Run
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VA - The Now Sounds of Today (Columbine 197x) | 2:40:12 (Pop-up) | |||||||
Hedonic Islands |
Cavaco da Mangueira feat. Bani Silva
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Allien Abduction (2013 EP) | 2:42:36 (Pop-up) | |||||||
Ndikho Xaba |
Makhosi
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And The Natives (1970) | 2:45:13 (Pop-up) | |||||||
La Yegros |
Trocitos de Madera
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Viene D Mi (2013) | 2:47:52 (Pop-up) | |||||||
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Listener comments!
Jason Elbogen:
Sem Chumbo:
fred:
Sem Chumbo:
fred:
Sem Chumbo:
Berg:
fred:
Sem Chumbo:
Jason Elbogen:
MeinWalkmanIstKaput:
ausmanx:
Jason Elbogen:
Maybe the Issifu cover will make the answer clear?
ausmanx:
Jason Elbogen:
Thibault:
Marmalade Kitty:
Marmalade Kitty:
fred:
-> Ming the Merciless <-:
Jason Elbogen:
MeinWalkmanIstKaput:
Marmalade Kitty:
www.youtube.com...
Jason Elbogen:
Marmalade Kitty:
hamburger:
Marmalade Kitty:
Jason Elbogen:
I think that 'out-of-tune' voices appeal because the 'in-tune' traditional singing is 99% of what people hear. So, the unconventional singers are, pretty simply, more interesting to me in general? Maybe. I've got nothing against traditionally-great singers, either, but I'm sorta open to everything maybe? Maybe a short attention span? I don't know...
Actually I think I'm addicted to hearing/discovering new-t0-me music/sounds...
Cheri Pi:
Andrew Waterloo:
hamburger:
hamburger:
hamburger:
Berg:
Cheri Pi:
Berg:
common:
Berg:
PKNY:
Revolution Rabbit Nov63:
- I have wondered out loud if anyone has used Autotune yet to put something *out* of tune to sound *authentic*...
Revolution Rabbit Nov63:
Cheri Pi:
fred:
I've seen TG Gondard use autotune pedals live, in part because they won't stay properly configured for long. That adds an element of randomness that I like a lot, though you can't call that *authentic*
Polk Biggins:
Revolution Rabbit Nov63:
- they each have their own Musical Scale - in fact corresponding to the Metaphysics ('Music of the Spheres' sort of idea)
- hence the use of what 'we' (WesternEuropean cultural tradition) call 'microtones' & such - & the 'blue note' in African-American music that is both/neither Major or Minor (- is it Happy or Sad?)
- & in fact this is true for Tonalities / Timbres as well (the desirability of a twang or a buzz as opposed to a 'pure' sound)
- so what is 'in tune' is subjective & a big subject anyhow !...
SeanG:
Polk Biggins:
fred:
Revolution Rabbit Nov63:
- 'A scientific evaluation campaign' ?
common:
fred:
Revolution Rabbit Nov63:
- but put that uniform on & people become harassment machines...all in how it's done...autotune the cop give him a pleasant demeanor...