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From the most profound classical music recordings ever made, to genres and musical perspectives from around the globe, talk on music, art and recordings that changed our lives and the world around us. Tune-in as we explore why we only listen to "dead" people, and what is "alive" in music today. Special guests, call-ins welcome.
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Artist | Track | Album | Label | Year | Comments | Approx. start time |
---|---|---|---|---|---|---|
Monty Python | Decomposing Composers | Monty Python's Contractual Obligation Album | Arista | 1980 | 0:00:00 (Pop-up) | |
Giovanni Battista Pergolesi | Stabat Mater: XII. Quando Corpus morietur | Pergolesi: Stabat Mater, Laudate pueri & Confitebor | Erato / Warner Classics | 2013 | Conductor: Diego Fasolis Ensemble: I Barocchisti Soprano Vocals: Julia Lezhneva Counter- Tenor Vocals: Philippe Jaroussky | 0:14:04 (Pop-up) |
J.S. Bach | Vor deinen Thron tret' ich, BWV 668 | Bach, J.S.: Organ Works, Helmut Walcha | Archive International Productions | 1971 | Helmut Walcha, organ | 0:23:48 (Pop-up) |
Sadhguru | How to Prepare For Death | 0:31:05 (Pop-up) | ||||
Joseph Haydn | String Quartet in D Minor, Op. 103, Hob. III:83: I. Andante grazioso | Haydn: The Last 3 String Quartets | Sony Classical | 1997 | L'Archibudelli | 0:31:10 (Pop-up) |
Joseph Haydn | String Quartet in D Minor, Op. 103, Hob. III:83: II. Menuetto ma non troppo presto | Haydn: The Last 3 String Quartets | Sony Classical | 1997 | L'Archibudelli | 0:36:30 (Pop-up) |
Ludwig van Beethoven | Wir irren allesamt, WoO 198 | Beethoven Edition, Vol. 8 | Brilliant Classics | 2017 | Choir: Berliner Solisten Choir: Kammerchor der Berliner Singakademie Conductor: Dietrich Knothe | 0:47:51 (Pop-up) |
Franz Schubert | Schwanengesang, D. 957: Die Taubenpost, D. 965a | Schubert: Song Cycles | Decca | 1990 | Peter Schreier · András Schiff | 0:55:04 (Pop-up) |
Felix Mendelssohn | 6 Lieder Op.71 : VI Nachtlied | Mendelssohn Edition Volume 3 - Oratorios & Lieder | Teldec Classics International GMBH | 1992 | Barbara Bonney, sporano Geoffrey Parsons, piano | 0:58:36 (Pop-up) |
Frederic Chopin | Mazurka No. 51 in F Minor, Op. 68 No. 4: Andantino | The Art Of Arturo Benedetti Michelangeli | Deutsche Grammophon | 1972 | Benedetti Michelangeli, piano | 1:11:01 (Pop-up) |
Johannes Brahms | 11 Chorale Preludes, Op. 122: No. 11. O Welt, ich muss dich lassen | Brahms, J.: 11 Chorale Preludes / Preludes and Fugues - Woo 7-10 | Ars Produktion | 2007 | Martin Schmeding, organ | 1:11:44 (Pop-up) |
Claude Debussy | Sonata for violin and piano in G minor, L. 140 | 1929 | Jacques Thibaud (Violin) Alfred Cortot (Piano) | 1:21:26 (Pop-up) | ||
Maurice Ravel | Don Quichotte à Dulcinée: Chanson Romanesque, Chanson épique, Chanson à Boire. | Gabriel Bacquier, baritone | 1:31:47 (Pop-up) | |||
Béla Bartók | Piano Concerto No. 3, BB 127, Sz. 119 - II. Adagio religioso | Bartók: Piano Concertos Nos.1-3 | Deutsche Grammophon | 1960 | Géza Anda, piano· Radio-Symphonie-Orchester Berlin · Ferenc Fricsay, conductor | 1:45:58 (Pop-up) |
György Ligeti | Étude 18, Canon from Troisième livre | Ligeti: Études pour piano | Wergo | 2013 | Thomas Hell, piano | 1:57:10 (Pop-up) |
Fausto Romitelli | An Index Of Metals: XII. Cadenza | Romitelli: An Index of Metals | Cypres | 2009 | 2:01:21 (Pop-up) |
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Listener comments!
AskJoe:
tom tom the pipers son:
chresti:
ViolaChica:
ViolaChica:
chresti:
tom tom the pipers son:
AskJoe:
Casey:
ViolaChica:
ViolaChica:
ViolaChica:
Casey:
JB:
ViolaChica:
tom tom the pipers son:
Casey:
PaulRobeson1924:
ViolaChica:
tom tom the pipers son:
JB:
tom tom the pipers son:
tom tom the pipers son:
ViolaChica:
...and thank you for the limerick!
tom tom the pipers son:
Doug in DC:
Casey:
Revolution Rabbit Nov63:
ViolaChica:
ViolaChica:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
ViolaChica:
My friendship with Delius has confirmed in me that things of the spirit are of the first concern: that artistry plus technique –– not too much technique, however, but a little in hand –– are as essential in life as in the arts; that one should do in the arts rather than learn; that faults should be pointed out and corrected after the experience of doing, not explained beforehand; that the people who really count are those who discover new ways of making our lives more beautiful. Frederick Delius was such a man.
tom tom the pipers son:
Ken From Hyde Park:
tom tom the pipers son:
who's there?
you can't see me...
why not?
i'm haydn
har har har
Revolution Rabbit Nov63:
coelacanth∅:
ViolaChica:
tom tom the pipers son:
coelacanth∅:
tom tom the pipers son:
PaulRobeson1924:
spodiodi:
welcome back!
coelacanth∅:
spodiodi:
JReganK:
JReganK:
JReganK:
spodiodi:
tom tom the pipers son:
JReganK:
chresti:
PaulRobeson1924:
Gives me something to remember when seasons fly by
I can't recall the words or the tune so clearly
But I know when I hear it and I love it dearly
JReganK:
tom tom the pipers son:
ViolaChica:
tom tom the pipers son:
PaulRobeson1924:
tom tom the pipers son:
spodiodi:
hi chresti!\\//
AMYGDALA:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
AMYGDALA:
chresti:
JReganK:
chresti:
JReganK:
PaulRobeson1924:
?:
Audiocarp:
Peter from Saranac Lake NY:
Audiocarp:
Audiocarp:
chresti:
Audiocarp:
ViolaChica:
Audiocarp:
Listener Robert:
Audiocarp:
spodiodi:
chresti:
Audiocarp:
Audiocarp:
coelacanth∅:
Audiocarp:
Hunterian:
ViolaChica:
Starkville Bill:
Audiocarp:
Daniel from PEI.:
Audiocarp:
AMYGDALA:
Looking forward to next week and the surprises that you mentioned are on deck!
Hunterian:
Peter from Saranac Lake NY:
Audiocarp:
Pianoman:
JReganK:
JReganK: