Hinky Dinky Time with Uncle Michael:
Playlist
from November 3, 2023
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Turning over the toy box and jamming together the gloriously mismatched musical Lincoln Logs, Legos and Tinker Toys from Tin Pan Alley pluggers, pickled egg tavern weepers, lockstep soul ensembles, skinny-tie power poppers, Eurotrash ravers, moontanned art school rockers, drunken soccer anthems and anything else that seems like a good idea at the time. There are no guilty pleasures.
Friday
Noon - 3pm
(EST)
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On
WFMU's
Give the Drummer Radio
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November 3, 2023: Show #512: "Drawing a blank."
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Track information pertains, as much as is possible, to the original release, and should not be construed as bearing any relationship to the presence or absence of a particular artifact in Uncle Michael's possession.
| Artist | Track | Album | Label | Year | Comments | Approx. start time | ||||
|---|---|---|---|---|---|---|---|---|---|---|
| Uncle Michael |
Hinky Dinky Time Open
|
|||||||||
| Graham Central Station |
We've Been Waiting
|
Graham Central Station | Warner Bros. | 1974 | (From: Hard Goods) | 0:03:05 (Pop-up) | ||||
| Luiz Henrique |
Mas Que Nada
|
single (b/w Vivo Sonhando) | Verve | 1967 | (From: Mr Bongo Record Club, Volume Two) | 0:04:00 (Pop-up) | ||||
| Oruã |
Madrepérola
|
Sem Bênção / Sem Crença | IFB Records – Transfusão Noise | 2018 | 0:06:50 (Pop-up) | |||||
| Fabiano do Nascimento |
O Ovo
|
Dança Dos Tempos | Now-Again | 2015 | 0:11:47 (Pop-up) | |||||
| Bruno Nicolai E La Sua Orchestra |
Rituale Arcaico
|
RCA SP 10019 - Musiche Di Genere E Di Maniera 5 | RCA (Italy) | 1970 | 0:15:21 (Pop-up) | |||||
| Grant Green |
I Don't Want Nobody to Give Me Nothing
|
Carryin' On | Blue Note | 1970 | 0:18:04 (Pop-up) | |||||
Music behind DJ: Earl Grant |
Canadian Sunset
|
Ebb Tide And Other Instrumental Favorites |
Decca |
1961 |
0:24:06 (Pop-up) |
|||||
| Spirit |
Elijah
|
Spirit | CBS | 1968 | 0:28:54 (Pop-up) | |||||
| Grand Funk Railroad |
Upsetter
|
E Pluribus Funk | Capitol | 1971 | 0:39:25 (Pop-up) | |||||
| Black Sabbath |
Sabbra Cadabra
|
Sabbath Bloody Sabbath | Warner Bros. | 1973 | 0:43:46 (Pop-up) | |||||
| Judas Priest |
Panic Attack
|
Invincible Shield | Epic | 2024 | 0:49:41 (Pop-up) | |||||
Music behind DJ: The Blenders |
Decimal Currency
|
The Reggay Boys With The Blenders - Mama Look Deh |
Amalgamated |
1999 |
(From: Trojan Instrumentals Box Set) |
0:55:05 (Pop-up) |
||||
| Brownsville Station |
Barefootin'
|
single (b-side to Smokin' In The Boy's Room) | Big Tree | 1973 | 1:00:05 (Pop-up) | |||||
| LP |
Heartless
|
Suburban Sprawl and Alcohol | Light Switch | 2004 | 1:02:39 (Pop-up) | |||||
| Stereo Total |
Holiday Innn
|
Juke-Box Alarm | Bungalow | 1998 | 1:06:56 (Pop-up) | |||||
| Hep Stars |
No Response
|
single (b/w Rented Tuxedo) | Olga | 1965 | 1:09:28 (Pop-up) | |||||
| Wings |
Wino Junko
|
Wings at the Speed of Sound | Capitol | 1976 | 1:11:00 (Pop-up) | |||||
| Herman's Hermits |
Searching For The Southern Sun
|
single (b-side to Bet Yer Life I Do) | RAK | 1970 | (From: The U.K. Singles) | 1:16:12 (Pop-up) | ||||
| The Lunar Laugh |
Born Weird
|
In The Black | Big Stir | 2023 | RELEASED TODAY | 1:18:45 (Pop-up) | ||||
| Tom Jones |
Lone Pilgrim
|
Spirit in the Room | Island | 2012 | 1:21:51 (Pop-up) | |||||
Music behind DJ: The Ventures |
Cherry Pink And Apple Blossom White
|
The Colorful Ventures |
Dolton |
1961 |
1:24:58 (Pop-up) |
|||||
Music behind DJ: Saxie Russell |
El Monkey
|
single (b/w Come Dance With Me) |
Ran-Dee |
1963 |
(From: Souvenirs Of The Soul Clap Vol. 5) |
1:31:01 (Pop-up) |
||||
| R.D. Burman Kishore Kumar, Asha Boshle |
Ek Bottle Ho Bagal
|
unk. | unk. | unk. | (From: Bombshell Baby of Bombay: Bombay Conection Vol. 2 - Bouncin' Nightclub Grooves From Bollywood Films 1959-1972) | 1:33:33 (Pop-up) | ||||
| Cumbia MexiColombiana |
Rumor de Cumbia
|
Cumbia Mexicolombiana | unk. | 2018 | 1:38:24 (Pop-up) | |||||
| Slapp Happy |
Heading for Kyoto
|
Sort Of | Polydor | 1972 | 1:41:16 (Pop-up) | |||||
| Bobbie Gentry |
The Fool On The Hill (Japanese Version)
|
single (b/w Recollection) | Capitol | 1968 | (From: The Girl From Chickasaw County: The Complete Capitol Masters) | 1:44:20 (Pop-up) | ||||
| Dean Martin |
Outta My Mind
|
single (b-side to Volare (Nel Blu Dipinto Di Blu)) | Capitol | 1958 | (From: Return To Me) | 1:47:59 (Pop-up) | ||||
| Lawrence Welk and his Orchestra |
Calcuttá
|
single (b/w My Grandfather's Clock) | Dot | 1960 | 1:50:16 (Pop-up) | |||||
| Grateful Dead |
Bertha
|
1972.04.14 - Tivoli Concert Hall - Copenhagen, DEN | n/a | 1972 | 1:52:27 (Pop-up) | |||||
Music behind DJ: Al Caiola and His Orchestra |
Calcutta
|
Golden Hit Instrumentals |
United Artists |
1961 |
1:58:16 (Pop-up) |
|||||
| Big Maybelle |
Please Stay Away from My Sam
|
prev. unr. | Okeh | unk. | (From: The Complete OKeh Sessions 1952-'55) | 2:03:30 (Pop-up) | ||||
| Tampa Red & Georgia Tom |
Dead Cats On The Line
|
shellac 10" (b/w Tampa Red - Reckless Man Blues) | Perfect | 1933 | (From: Let Me Tell You About The Blues - New York) | 2:05:56 (Pop-up) | ||||
| Henry Townsend |
Cairo Is My Baby's Home
|
Tired Of Bein´ Mistreated | Prestige Bluesville | 1962 | 2:08:40 (Pop-up) | |||||
| Brother John Sellers (with Sir Charles Thompson) |
Down By The Riverside
|
Brother John Sellers Sings Blues And Folk Songs | Vanguard | 1958 | (From: Let My People Go, Negro Spirituals - Roots Collection Vol.9) | 2:12:07 (Pop-up) | ||||
| Tyrone Washington |
Submission
|
Roots | Perception | 1973 | (From: Pulp Fusion Vol. 9 - Bustin' Loose) | 2:15:17 (Pop-up) | ||||
| The Conet Project |
English Lady
|
prev. unr. | n/a | unk. | (From: The Conet Project - Recordings Of Shortwave Numbers Stations) | 2:19:41 (Pop-up) | ||||
| Brian Eno |
Who Gives a Thought
|
Foreverandevernomore | Opal/UMC | 2022 | 2:20:10 (Pop-up) | |||||
| Sparrow |
I'm Coming Back
|
single (b/w Dream Song) | Spark | 1972 | (From: Sunshine & Rainbows: Volume 5) | 2:24:05 (Pop-up) | ||||
Music behind DJ: King Benny Nawahi |
Black Boy Blues
|
unk. |
unk. |
unk. |
(From: Hawaiian Steel Guitar Classics 1927-1938) |
2:26:28 (Pop-up) |
||||
| Marvin Pontiac |
I Don't Have a Cow
|
Marvin Pontiac: The Asylum Tapes | Northern Spy | 2020 | 2:30:56 (Pop-up) | |||||
| Yanno, Puri, Adje |
Loco
|
Loco | unk | 2020 | 2:32:31 (Pop-up) | |||||
| Slim Lamar's Southerners |
Goofus
|
shellac 10" (b/w Happy) | Victor | 1929 | (From: That Devilin' Tune (A Jazz History) Volume 2) | 2:34:48 (Pop-up) | ||||
| Mildred Bailey |
Wham (Re-Bop-Boom-Bam!)
|
shellac 10" (b/w Little High Chairman) | Columbia | 1940 | 2:37:30 (Pop-up) | |||||
| Spike Hughes And His Negro Orchestra (feat. Benny Carter, Coleman Hawkins, Dickie Wells, Red Allen and others) |
How Come You Do Me Like You Do
|
shellac 10" (b-side to Sweet Sue, Just You) | Decca | 1934 | 2:40:43 (Pop-up) | |||||
| Billy Ward and His Dominoes |
Pedal Pushin' Papa
|
shellac 10" (b/w The Bells) | Federal | 1952 | (From: The Complete Federal/King Singles) | 2:43:36 (Pop-up) | ||||
| Conway Twitty |
The Next Kiss (Is the Last Goodbye)
|
single (b/w Man Alone) | MGM | 1961 | (From: Conway Twitty 1960-1961 Chronological Classics ) | 2:46:03 (Pop-up) | ||||
| The Who |
Lubie (Come Back Home)
|
prev. unr. | n/a | 1965 | (From: Who's Missing) | 2:48:02 (Pop-up) | ||||
| Fairport Convention |
Si Tu Dois Partir
|
single (b/w Genesis Hall) | Island | 1969 | (From: V.A. UK Canta A Dylan) | 2:51:37 (Pop-up) | ||||
Music behind DJ: Fleetwood Mac |
Albatross
|
single (b/w Jigsaw Puzzle Blues) |
Blue Horizon |
1968 |
2:53:53 (Pop-up) |
|||||
| WFMU's Give the Drummer Radio & Hinky Dinky Time denounce explicit and implicit racism and condemn the culture of White supremacy. We support Black Lives Matter. |
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Listener comments!
Asheville Jon:
bradford:
Andrew in Toronto:
sinner:
Doug Schulkind:
dan:
listener james from westwood:
wenzo:
RevWaldo:
DjLorraine:
Revolution Rabbit Nov63:
adamdoesit:
spodiodi:
and hello all!
Uncle Michael:
Uncle Michael:
Uncle Michael:
DjLorraine:
Uncle Michael:
dan:
https://www.youtube.com/watch?v=jAL2Ih36sW4&pp=ygUXcG9ydCB3YXNoaW5ndG9uIGxpYnJhcnk%3D
Revolution Rabbit Nov63:
🇯🇵🔥🦖 HAPPY GODZILLA DAY 🦖🔥🇯🇵
Nod to Courtney Barnett on her 36th...
Alvy Singer:
sinner:
Uncle Michael:
Asheville Jon:
Revolution Rabbit Nov63:
Which I like to do.
Uncle Michael:
KWilde:
Uncle Michael:
dan:
adamdoesit:
still b/p:
Uncle Michael:
johnk77:
larry graham was a super-nice guy
the 1 time i got to talk to him
long before he became drake's uncle
Uncle Michael:
Phillippe:
Roberto:
Asheville Jon:
Revolution Rabbit Nov63:
Which I don't mind doing.
Uncle Michael:
Roberto:
James Douglas:
Uncle Michael:
Polyus:
James Douglas:
Asheville Jon:
Uncle Michael:
Uncle Michael:
StringOFperils:
johnk77:
ultimate spinach
James Douglas:
Uncle Michael:
Artie:
Uncle Michael:
Uncle Michael:
Revolution Rabbit Nov63:
Seems reasonable to guess that John would've written more when it got beyond a Demo stage - which this did not for him.
Then again - Lennon had that particular gift of communicating a great deal that was relevant in a few succinct words.
& ...tho McCartney is Thee Melodic Genius of Pop~Rawk - & John tended to hover around just a few notes while focusing on those great Words - Lennon also of course wrote great Melodies within those parameters
...& finally, John's Voice is simply one of my favorite Instruments ever...
As for them pulling John's voice out of the Demo using Tech - I don't mind a bit. In fact it's quite amazing... That doesn't alter the overall question of should the Lennon Demo have become a Beatles Production - not @ all. My answer to that is - sure. Why not.
Uncle Michael:
James Douglas:
Gerry from Miami:
Uncle Michael:
Roberto:
Phillippe:
Uncle Michael:
Roberto:
Uncle Michael:
Asheville Jon:
StringOFperils:
Uncle Michael:
James Douglas:
Gerry from Miami:
Uncle Michael:
Uncle Michael:
Revolution Rabbit Nov63:
Alvy Singer:
Marie in Chicago:
Gerry from Miami:
Uncle Michael:
Uncle Michael:
Polyus:
Uncle Michael:
Uncle Michael:
dan:
Phillippe:
Roberto:
Phillippe:
jmd:
Revolution Rabbit Nov63:
Uncle Michael:
Gerry from Miami:
Uncle Michael:
Gerry from Miami:
Flimflamfilmnoir:
dan:
Gerry from Miami:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Uncle Michael:
egould:
Gerry from Miami:
wenzo:
Uncle Michael:
Uncle Michael:
dan:
Revolution Rabbit Nov63:
wenzo:
wenzo:
Uncle Michael:
Revolution Rabbit Nov63:
egould:
wenzo:
dan:
Gerry from Miami:
Kat in the chat:
Uncle Michael:
Gerry from Miami:
Marie in Chicago:
Uncle Michael:
still b/p:
Gerry from Miami:
Revolution Rabbit Nov63:
Gerry from Miami:
dan:
Pedro in Arlington:
Uncle Michael:
Revolution Rabbit Nov63:
The Oscar:
Gerry from Miami:
Gerry from Miami:
still b/p:
Phillippe:
Revolution Rabbit Nov63:
...but this one is quite fine.
Gerry from Miami:
DjLorraine.:
still b/p:
Rich in Washington:
Uncle Michael:
Uncle Michael:
DjLorraine.:
Rich in Washington:
Listening Out There:
Uncle Michael:
listener james from westwood:
Rich in Washington:
dan:
still b/p:
Uncle Michael:
The Oscar:
Gerry from Miami:
Dean:
Gerry from Miami:
still b/p:
"Martin and Lewis have never been erased from cultural history, but they have been minimized: evaded, elided, downplayed."
Maybe...depends.
Uncle Michael:
Dean:
Polyus:
Gerry from Miami:
Uncle Michael:
Revolution Rabbit Nov63:
WFMU people.
Uncle Michael:
still b/p:
Uncle Michael:
johnk77:
recently used for mostly classical,
jazz, theatre
dan:
The Oscar:
johnk77:
KevinfromBayRidge:
Uncle Michael:
rw:
adamdoesit:
Uncle Michael:
spodiodi:
Uncle Michael:
DjLorraine.:
Uncle Michael:
rw:
rw:
Gerry from Miami:
Uncle Michael:
Gerry from Miami:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Gerry from Miami:
Uncle Michael:
Gerry from Miami:
Revolution Rabbit Nov63:
dan:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
wenzo:
Brian in UK:
dan:
adamdoesit:
Brian in UK:
wenzo:
dan:
dan:
Revolution Rabbit Nov63:
egould:
spodiodi:
Revolution Rabbit Nov63:
Uncle Michael:
spodiodi:
KWilde:
Revolution Rabbit Nov63:
Closet cattle...
Uncle Michael:
spodiodi:
Revolution Rabbit Nov63:
adamdoesit:
Marie in Chicago:
spodiodi:
dougseidel:
Uncle Michael:
spodiodi:
adamdoesit:
Uncle Michael:
Revolution Rabbit Nov63:
adamdoesit:
Revolution Rabbit Nov63:
- & Moon throws everything back up again'...
- Drumming Expert in 'Amazing Journey' doc...
spodiodi:
not that it has too much in common.
Gerry from Miami:
spodiodi:
Revolution Rabbit Nov63:
dan:
Great show UM
Gerry from Miami:
Marie in Chicago:
Revolution Rabbit Nov63:
...& that'd just become the definitive version.'
- Richard Thompson
listener james from westwood:
Phillippe:
Marie in Chicago:
asheville jon:
Alvy Singer:
egould:
I'll miss your show next week, as I'll be en route from Gulfport, MS back to Seattle.
Rich in Washington:
spodiodi:
asheville jon:
Roberto:
rw:
25 mi. gravel ride! Jealous. Have fun and be safe!
adamdoesit:
if SRAM's good enough for Tadej, it's good enough for me.
Marie in Chicago:
Revolution Rabbit Nov63:
Artie:
wenzo:
spodiodi:
asheville jon:
WR:
Bri The Beatnik:
Uncle Michael:
Uncle Michael: