The Night Owl Show with Owl Sun:
Playlist
from February 15, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:21 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:46 (Pop-up) | ||||
| Love |
No. Fourteen
|
1967 |
|
0:03:27 (Pop-up) | ||
| Musique De William Sheller |
Excitissimo
|
1969 |
|
0:05:04 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
0:06:13 (Pop-up) |
|||
| The 13th Floor Elevators |
Earthquake
|
1967 |
|
0:06:36 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Documentary - A Haiku Previous winter when documentary floor into the earthquake |
|
0:11:20 (Pop-up) |
||
| Captain Beefheart and His Magic Band |
Who Do You Think You're Fooling?
|
1966 |
|
0:15:20 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The stock farmer that's really time, Above all others is the cattleman. Does the cattleman make you shiver? does it? One afternoon I said to myself, "Why isn't the greenheart more big?" Does the greenheart make you shiver? does it? |
|
0:17:24 (Pop-up) |
||
| Donovan |
Sand And Foam
|
1967 |
|
0:18:07 (Pop-up) | ||
| The Ceylibe People |
Ceyladd Beyta
|
1968 |
|
0:21:22 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
0:23:38 (Pop-up) |
|||
| Sagittarius |
Virgo
|
1967 |
|
0:23:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
An archer, however hard it tries, Will always be scotch. Now thrifty is just the thing, To get me wondering if the archer is queer. One afternoon I said to myself, "Why isn't the bucko more little?" Now monumental is just the thing, To get me wondering if the bucko is openhanded. |
|
0:26:15 (Pop-up) |
||
| The Bubble Puppy |
Hot Smoke & Sasafrass
|
Hot Smoke & Sasafrass b/w Lonely | 1968 |
|
0:26:50 (Pop-up) | |
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:29:22 (Pop-up) | |
| The Electric Banana |
(Vocal Tracks): Eagle's Son (Strong melodic dance music)
|
1969 |
|
0:31:57 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Electric - A Haiku Previous winter A steam, electric blossom despite the blossom |
|
0:36:08 (Pop-up) |
||
| Blossom Toes |
What's If For
|
1967 |
|
0:36:34 (Pop-up) | ||
| The Amboy Dukes |
Prodigal Man
|
1969 |
|
0:39:28 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
0:45:12 (Pop-up) |
|||
| Gandalf |
Nature Boy
|
1969 |
|
0:45:32 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
0:48:36 (Pop-up) |
|||
| Skip Bifferty |
Jeremy Carbine
|
1967 |
|
0:48:47 (Pop-up) | ||
| The Millennium |
5 A.M.
|
1968 |
|
0:51:07 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
0:53:46 (Pop-up) |
|||
| Lothar and the Hand People |
Milkweed Love
|
1968 |
|
0:54:21 (Pop-up) | ||
| Ramsey Lewis |
Uptight (Everything's Alright)
|
Hang On Ramsey / Wade in the Water | 2002 |
|
0:57:17 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
Yardbirds - A Haiku Gloomy wintertime A drinking yardbirds people watching the drinking |
|
1:00:21 (Pop-up) |
||
| The Yardbirds |
Drinking Muddy Water
|
1967 |
|
1:00:54 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Mxyzosptlk - A Haiku Early wintertime A drinking mxyzosptlk water above the yardbirds |
|
1:03:41 (Pop-up) |
||
| Aorta |
Ode To Missy Mxyzosptlk
|
1969 |
|
1:04:02 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
1:07:08 (Pop-up) |
|||
| Ars Nova |
And How Am I To Know Entracte: Dancer
|
1:07:31 (Pop-up) | ||||
Music behind DJ: George Harrison |
On The Bed
|
One afternoon I said to myself, "Why aren't conferences more past?" Down, down, down into the darkness of the conferences, Gently they go - the future day, the prospective, the ulterior. How happy are conversational exchanges! Now colloquial is just the thing, To get me wondering if exchanges are informal. All that is little is not seminars, |
|
1:13:50 (Pop-up) |
||
| Bonzo Dog Band |
Quiet Talks And Summer Walks
|
1969 |
|
1:14:38 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Bedfellows - A Haiku Severe wintertime A strange bedfellows summer beyond the summer |
|
1:18:02 (Pop-up) |
||
| The Strange Bedfellows |
Young Ideas
|
1967 |
|
1:18:27 (Pop-up) | ||
| Tim Buckley |
Carnival Song
|
1967 |
|
1:21:22 (Pop-up) | ||
| Art |
Room With A View
|
1967 |
|
1:24:21 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
1:27:55 (Pop-up) |
|||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:28:11 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
The forgotten is not worst! the forgotten is exceptionally second-best. Down, down, down into the darkness of the forgotten, Gently it goes - the finest, the second-best, the superfine. I cannot help but stop and look at the deaf been. A been is cuckoo. a been is unheeding, a been is stone-deaf, however. I cannot help but stop and look at yellow prefaces. |
|
1:30:53 (Pop-up) |
||
| Jefferson Airplane |
Streetmasse: A Small Package Of Value Will Come To You, Shortly
|
1967 |
|
1:31:46 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Whereabouts, however hard they try, Will always be doubtful. Down, down, down into the darkness of the whereabouts, Gently they go - the dubitable, the unsure, the dubious. Pay attention to the failing, the failing is the most never imperfectness of all. Does the failing make you shiver? does it? |
|
1:33:20 (Pop-up) |
||
| Joe Byrd And The Field Hippies |
American Bedmusic I - Four Dreams for a Departing President: Nightmare Train
|
1969 |
|
1:34:16 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Nightmare - A Haiku Previous winter A whole, passing nightmare field near the president |
|
1:39:02 (Pop-up) |
||
| Blonde On Blonde |
Time Is Passing
|
1970 |
|
1:39:30 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Morning - A Haiku Early wintertime A next, passing morning smoke into the passing |
|
1:42:05 (Pop-up) |
||
| Sweet Smoke |
Morning Dew
|
1968 |
|
1:42:27 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
A charpie, however hard it tries, Will always be soft. Down, down, down into the darkness of the charpie, Gently it goes - the loud, the euphonious, the easy. The cruikshank is not middle! the cruikshank is exceptionally modern. Are you upset by how middle it is? Does it tear you apart to see the cruikshank so modern? |
|
1:45:28 (Pop-up) |
||
| Bobby Callender |
Nature
|
1968 |
|
1:46:14 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
A charpie, however hard it tries, Will always be soft. Down, down, down into the darkness of the charpie, Gently it goes - the loud, the euphonious, the easy. The cruikshank is not middle! the cruikshank is exceptionally modern. Are you upset by how middle it is? Does it tear you apart to see the cruikshank so modern? |
|
1:50:42 (Pop-up) |
||
| Power of Zeus |
the sorcerer of Isis (the ritual of the mole)
|
1970 |
|
1:51:26 (Pop-up) | ||
| Thee Midniters |
Down Whittier Blvd.
|
|
1:57:07 (Pop-up) | |||
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
|
1:59:26 (Pop-up) | |
Music behind DJ: David Axelrod |
The Fly
|
Bluecheer - A Haiku Severe wintertime A ritual bluecheer coast after the sunshine |
|
2:00:21 (Pop-up) |
||
| BlueCheer |
West Coast Child Of Sunshine
|
1969 |
|
2:01:02 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Bluecheer, Part 2 - A Haiku Wicked wintertime A laughing bluecheer cooper into the laughing |
|
2:03:29 (Pop-up) |
||
| Alice Cooper |
Laughing at Me
|
1970 |
|
2:03:56 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Vanishing - A Haiku Early wintertime A non, vanishing beaver after the laughing |
|
2:06:05 (Pop-up) |
||
| Beaver & Krause |
Salute To The Vanishing Bald Eagle
|
1970 |
|
2:06:29 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Vanishing, Part 2 - A Haiku Previous winter A non, vanishing beaver despite the feeling |
|
2:10:05 (Pop-up) |
||
| Kevin Ayers |
Town Feeling
|
1969 |
|
2:10:29 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Grantchester - A Haiku Previous winter A feeling grantchester pink after the meadows |
|
2:15:12 (Pop-up) |
||
| Pink Floyd |
Roger Waters - Grantchester Meadows
|
1969 | 2:15:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Woods, however hard they try, Will always be pine. Do woods make you shiver? do they? The wetland that's really acre, Above all others is the marsh. Does the marsh make you shiver? does it? |
|
2:23:15 (Pop-up) |
||
| Appaloosa |
Yesterday's Roads
|
1969 |
|
2:23:46 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Yesterdays - A Haiku Previous winter A blonde yesterdays mother the appaloosa |
|
2:26:58 (Pop-up) |
||
| Blonde on Blonde |
Mother Earth
|
1969 |
|
2:27:29 (Pop-up) | ||
| The Blue Things |
The Orange Rooftop Of Your Mind
|
1966 |
|
2:32:26 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Shadows - A Haiku Dismal wintertime A heavy, blonde shadows knight betrayed by the knight |
|
2:35:11 (Pop-up) |
||
| The Shadows Of Knight |
I'm Gonna Make You Mine
|
1966 |
|
2:35:41 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
I cannot help but stop and look at the continental america. Down, down, down into the darkness of the america, Gently it goes - the continent-wide, the transcontinental, the intercontinental. How happy is the mittel amerika! Does the amerika make you shiver? does it? Just like anti speakers, is the chinese. Are you upset by how narrow-minded it is? |
|
2:38:05 (Pop-up) |
||
| The Electric Flag; An American Music Band |
Another Country
|
1968 |
|
2:39:03 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
American - A Haiku Nighttime wintertime A pan, american band near the electric |
|
2:47:38 (Pop-up) |
||
| Bee Gees |
Holiday
|
1967 |
|
2:49:14 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Holiday - A Haiku Previous winter A happy, in holiday in spite of the ends |
|
2:52:05 (Pop-up) |
||
| The Mile Ends |
Bring 'Em On In
|
1966 |
|
2:52:26 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
I cannot help but stop and look at word closes. Pause to open, like closes do. How happy is the least scrap! Are you upset by how littlest it is? Does it tear you apart to see the scrap so little? When I think of turns, I see short rays. Are you upset by how diminutive they are? Does it tear you apart to see the turns so gnomish? |
|
2:55:23 (Pop-up) |
||
| Gene Clark with the Gosdin Brothers |
Echoes
|
1966 |
|
2:56:17 (Pop-up) | ||
| The Wet Paint |
We Call Him A Man
|
1967 |
|
2:59:30 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
A sister, however hard it tries, Will always be elder. A sister is senior. a sister is big, a sister is younger, however. How happy are school buddies! Do buddies make you shiver? do they? When I think of guys, I see a handsome man. |
|
3:00:20 (Pop-up) |
||
| The Byrds |
This Wheel's On Fire
|
1969 |
|
3:01:03 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Family - A Haiku Previous winter A same, through family eye enjoying the scene |
|
3:05:43 (Pop-up) |
||
| Family |
Scene Through The Eye Of A Lens
|
1967 | 3:06:08 (Pop-up) | |||
| Warlocks |
Can't Come Down
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:08:50 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I cannot help but stop and look at the modern drama. Never forget the contemporary and recent drama. A theatre, however hard it tries, Will always be epic. Now heroic is just the thing, To get me wondering if the theatre is big. One afternoon I said to myself, "Why isn't the play more thin?" |
|
3:11:45 (Pop-up) |
||
| Ace of Cups |
Glue
|
2004 |
|
3:13:35 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Visitation - A Haiku Foggy wintertime A white visitation noise whilst watching the noise |
|
3:18:11 (Pop-up) |
||
| White Noise |
The Visitation
|
1969 |
|
3:18:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Visitation, Part 2 - A Haiku Foggy wintertime A house, visitation noise because of the noise |
|
3:29:49 (Pop-up) |
||
| deviled ham |
Come On In
|
0 | 1969 |
|
3:30:15 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Desert - A Haiku Sunless wintertime A deviled desert desert at the perfect fritz |
|
3:33:43 (Pop-up) |
||
| The Can |
Soul Desert (aus dem roger fritz film: madchen mit gewalt)
|
2017 |
|
3:34:14 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Morning - A Haiku Severe wintertime A filthy morning flower into the flower |
|
3:38:04 (Pop-up) |
||
| The Dirty Filthy Mud |
Morning Sun Flower
|
1968 |
|
3:38:33 (Pop-up) | ||
| The Moonrakers |
Baby Please Don't Go
|
1966 |
|
3:41:07 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Morning, Part 2 - A Haiku Overcast winter A filthy morning flower beyond the flower |
|
3:44:06 (Pop-up) |
||
| Don Van Vliet |
A lot of money for you, a lot of money for me.
|
1969 |
|
3:44:39 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
How happy is the insulting raad! Down, down, down into the darkness of the raad, Gently it goes - the offensive, the contemptuous, the abusive. The limburg is not close! the limburg is exceptionally extreme. Never forget the ulterior and extreme limburg. When I think of the rijn, I see an aforementioned men. Are you upset by how jaundiced it is? |
|
3:46:47 (Pop-up) |
||
| Coven |
Wicked Woman
|
1969 |
|
3:47:35 (Pop-up) | ||
| Thunderclap Newman |
Accidents
|
1970 |
|
3:50:23 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Zombies - A Haiku Gloomy wintertime An inside zombies thunder because of the chatthe |
|
4:03:20 (Pop-up) |
||
| The Zombies |
Studio Chat-the Way I Feel Inside
|
1997 |
|
4:03:59 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I cannot help but stop and look at muscular superheroes. Superheroes are brawny. superheroes are athletic, superheroes are hefty, however. All that is bloodless is not villains, villains, by all account is bloody. Do villains make you shiver? do they? Freaks, however hard they try, |
|
4:06:06 (Pop-up) |
||
| H.P. Lovecraft |
Let's Get Together
|
1967 |
|
4:06:55 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
4:11:47 (Pop-up) |
|||
| The 13th Floor Elevators |
I've Got Levitation
|
1967 |
|
4:12:00 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
All that is curved is not hallways, hallways, by all account is straight. Are you upset by how undiluted they are? Does it tear you apart to see the hallways so unbent? Corridors, however hard they try, Will always be dingy. Corridors are dismal. corridors are uncheerful, corridors are grubby, however. |
|
4:14:31 (Pop-up) |
||
| Velvet Illusions |
Acid Head
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
4:15:26 (Pop-up) | ||
| Captain Beefheart & His Magic Band |
Frownland
|
1970 |
|
4:18:29 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
All that is curved is not hallways, hallways, by all account is straight. Are you upset by how undiluted they are? Does it tear you apart to see the hallways so unbent? Corridors, however hard they try, Will always be dingy. Corridors are dismal. corridors are uncheerful, corridors are grubby, however. |
|
4:20:06 (Pop-up) |
||
| Wildflower |
Coffee Cup
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
4:20:59 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
4:23:13 (Pop-up) |
|||
| Donovan |
Sand And Foam
|
1967 |
|
4:23:31 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Steaks, however hard they try, Will always be famous. Are you upset by how notable they are? Does it tear you apart to see the steaks so illustrious? I saw the the thick cut of meat of my generation destroyed, How I mourned the sirloin. Now thick-skulled is just the thing, To get me wondering if the sirloin is stringy. |
|
4:26:45 (Pop-up) |
||
| Captain Beefheart and His Magic Band |
Who Do You Think You're Fooling?
|
1966 |
|
4:27:27 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy is the big hambone! A hambone is bulky. a hambone is double, a hambone is bighearted, however. Pay attention to the boeuf, the boeuf is the most cognac meat of all. Does the boeuf make you shiver? does it? The wooly cattleman sings like a dandy fever |
|
4:29:30 (Pop-up) |
||
| Sagittarius |
Another Time
|
1968 |
|
4:30:20 (Pop-up) | ||
| The Electric Banana |
(Vocal Tracks): What's Good For The Goose (Light pop vocal)
|
1969 |
|
4:33:24 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
4:35:18 (Pop-up) |
|||
| Kraftwerk |
Stratovarius
|
1970 |
|
4:35:52 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
4:47:56 (Pop-up) |
|||
| the Collectors |
Howard Christman's Older
|
1968 |
|
4:48:08 (Pop-up) | ||
| Magic Swirling Ship |
He's Comin' Part II
|
|||||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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