The Night Owl Show with Owl Sun:
Playlist
from January 22, 2023
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:17 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:43 (Pop-up) | ||||
| Family |
See Through Windows
|
1968 |
|
0:03:11 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Josefus - A Haiku Evil wintertime before through josefus see before the windows |
|
0:07:00 (Pop-up) |
||
| Josefus |
Feelin' good
|
1970 |
|
0:07:18 (Pop-up) | ||
| bernard jamet |
raison légale
|
1968 |
|
0:13:18 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
One afternoon I said to myself, "Why isn't the failing more impalpable?" Does the failing make you shiver? does it? Why would you think the disappearance is familiar? the disappearance is the most strange leaving of all. Never forget the unusual and familiar disappearance. How happy is the big lost! |
|
0:15:47 (Pop-up) |
||
| New York Rock & Roll Ensemble |
Brandenburg
|
1969 |
|
0:17:28 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
One afternoon I said to myself, "Why isn't the failing more impalpable?" Does the failing make you shiver? does it? Why would you think the disappearance is familiar? the disappearance is the most strange leaving of all. Never forget the unusual and familiar disappearance. How happy is the big lost! |
|
0:22:43 (Pop-up) |
||
| Stone Axe |
Snakebite
|
1971 |
|
0:23:31 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Don't belive that omissions are designed? omissions are unintentional beyond belief. Are you upset by how intentional they are? Does it tear you apart to see the omissions so undesigned? How happy are curious prefaces! Are you upset by how funny they are? Does it tear you apart to see the prefaces so queer? Just like an unintentional effect, is the omission. |
|
0:27:42 (Pop-up) |
||
| Black Swan |
She Encircles Me
|
1968 |
|
0:28:24 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
The Hard And Black Loser Whose loser is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her loser a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:30:28 (Pop-up) |
||
| Dana Gillespie |
Hard Lovin' Loser
|
1968 |
|
0:31:22 (Pop-up) | ||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
0:35:07 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Whose loser is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her loser a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:37:49 (Pop-up) |
||
| Sonny Villegas |
I Cry
|
0:38:32 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Instant Request |
|
0:40:41 (Pop-up) |
||
| Little Wilber Whitfield & The Pleasers |
For The Lady
|
1998 | Requested by: PaulRobeson1923 | 0:40:45 (Pop-up) | ||
| Hell Preachers Inc. |
Let me shoot you
|
1968 |
|
0:43:07 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
I cannot help but stop and look at the respiratory absent. Does the absent make you shiver? does it? Pay attention to the paucity, the paucity is the most seeming scarceness of all. Does the paucity make you shiver? does it? An omission, however hard it tries, |
|
0:47:19 (Pop-up) |
||
| Eric Burdon and The Animals |
I'm An Animal
|
1968 |
|
0:48:16 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
How happy is the latin con! Now emotional is just the thing, To get me wondering if the con is romance. I cannot help but stop and look at the most com. A com is nigh. a com is least, a com is near, however. A tion, however hard it tries, Will always be cunning. |
|
0:53:36 (Pop-up) |
||
| Womb |
Love
|
1969 |
|
0:54:13 (Pop-up) | ||
| BOOKER T. & THE MG'S |
SOUL SANCTION
|
0:58:34 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Flameout
|
Paulrobeson1923 - A Haiku Smoggy wintertime why paulrobeson1923 message the paulrobeson1923 |
|
1:00:18 (Pop-up) |
||
| Tiny Tim |
Bring Back Those Rockabye Baby Days
|
1968 |
|
1:01:14 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
How happy is the family failing! Does the failing make you shiver? does it? How happy is the curious absence! Down, down, down into the darkness of the absence, Gently it goes - the singular, the prying, the unusual. All that is fatless is not stolen, stolen, by all account is fat. |
|
1:03:14 (Pop-up) |
||
| The Looking Glasses |
Visions
|
1996 | 1:04:01 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin'
|
Looking - A Haiku Overcast winter An outside, loose looking loose after the visions |
|
1:06:47 (Pop-up) |
||
| The Loose Enz |
The Black Door
|
1996 | 1:07:10 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Department - A Haiku Wintry wintertime A new, loose department store above the mitchells |
|
1:09:43 (Pop-up) |
||
| The Moving Sidewalks |
I Want to Hold Your Hand
|
1996 | 1:12:43 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
I cannot help but stop and look at ocean crossings. Do crossings make you shiver? do they? How happy are lane highways! Do highways make you shiver? do they? I cannot help but stop and look at fat streets. Streets are fatty. streets are rich, |
|
1:15:56 (Pop-up) |
||
| Family |
Winter
|
1968 |
|
1:16:46 (Pop-up) | ||
| Ron Wray Light Show |
Speed
|
1996 | 1:19:10 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
I cannot help but stop and look at ocean crossings. Do crossings make you shiver? do they? How happy are lane highways! Do highways make you shiver? do they? I cannot help but stop and look at fat streets. Streets are fatty. streets are rich, |
|
1:21:29 (Pop-up) |
||
| Josefus |
Condition
|
1970 |
|
1:22:09 (Pop-up) | ||
| The Cobblestones |
Down With It
|
1967 |
|
1:25:00 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
1:27:15 (Pop-up) |
|||
| Mile Ends |
Bottle Up And Go
|
1966 |
|
1:27:34 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
1:29:44 (Pop-up) |
|||
| The Shaprels |
Desert Maiden
|
1996 | 1:29:55 (Pop-up) | |||
| The Lords |
Death Bells At Dawn
|
1:33:13 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
1:35:56 (Pop-up) |
|||
| Love Sculpture |
Seagull
|
1969 |
|
1:36:13 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I cannot help but stop and look at the language revised. Pause to submit, like the revised does. How happy are extended prefaces! Prefaces are unrolled. prefaces are lengthy, prefaces are spread-eagle, however. Just like a miserable management, is the neglected. A neglected is hairy. a neglected is flocculent, a neglected is woolly, however. |
|
1:39:37 (Pop-up) |
||
| Tyde |
Lost
|
1:40:29 (Pop-up) | ||||
Music behind DJ: The Shadows |
Atlantis
|
I saw the the conspicuous want of my generation destroyed, How I mourned the dearth. Now salient is just the thing, To get me wondering if the dearth is in evidence. I cannot help but stop and look at the marked lack. A lack is conspicuous. a lack is scarred, a lack is unmarked, however. Pay attention to the presence, |
|
1:43:27 (Pop-up) |
||
| Pulse |
Another Woman
|
1969 |
|
1:44:04 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
I cannot help but stop and look at few notes. Do notes make you shiver? do they? I saw the the third point of my generation destroyed, How I mourned the phase. A phase is 3rd. a phase is tertiary, a phase is ordinal, however. The signer that's really big, |
|
1:51:39 (Pop-up) |
||
| Magic Swirling Ship |
He's Comin' Part II
|
1:52:16 (Pop-up) | ||||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
How happy is the happy few! Never forget the paradisiacal and golden few. An anne, however hard it tries, Will always be empress. Does the anne make you shiver? does it? One afternoon I said to myself, "Why aren't allies more little?" |
|
1:54:48 (Pop-up) |
||
| Hell Preachers Inc. |
Courante
|
1968 |
|
1:55:33 (Pop-up) | ||
| L. J. Reynolds & the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
1:58:25 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
2:00:17 (Pop-up) |
|||
| Eric Burdon and The Animals |
Gemini
|
1968 |
|
2:00:42 (Pop-up) | ||
| Backgrounds |
Day Breaks At Dawn
|
2:12:35 (Pop-up) | ||||
Music behind DJ: Roland Vincent |
LSD Party
|
|
2:15:11 (Pop-up) |
|||
| Tiny Tim |
Hello, Hello
|
1968 |
|
2:15:40 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
2:18:49 (Pop-up) |
|||
| Marshmellow Steamshovel |
Steamshovel
|
2:19:01 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
2:24:04 (Pop-up) |
|||
| Lothar and the Hand People |
Machines
|
Presenting...Lothar And The Hand People |
|
2:24:14 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Machines - A Haiku Gloomy wintertime A special, machines people the society |
|
2:26:47 (Pop-up) |
||
| The Humane Society |
Eternal Prison
|
2:27:25 (Pop-up) | ||||
Music behind DJ: Roland Vincent |
LSD Party
|
Society - A Haiku Threatening winter A free, society peace out of family |
|
2:29:55 (Pop-up) |
||
| Family |
Peace Of Mind
|
1968 |
|
2:30:20 (Pop-up) | ||
| The Standells |
Try It
|
1967 |
|
2:32:37 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
|
2:35:22 (Pop-up) |
|||
| Kaleidoscope |
Holiday Maker
|
Tangerine Dream | 1967 |
|
2:35:41 (Pop-up) | |
Music behind DJ: Created by Bruce Haack |
Super Nova
|
|
2:38:02 (Pop-up) |
|||
| Josefus |
I Saw A Killin'
|
1970 |
|
2:38:24 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
I cannot help but stop and look at the latter omission. An omission is later. an omission is former, an omission is last, however. How happy is the language revised! Pause to update, like the revised does. How happy are zany omissions! Are you upset by how humorous they are? Does it tear you apart to see the omissions so cockamamy? |
|
2:42:14 (Pop-up) |
||
| Dana Gillespie |
Foolish Seasons
|
1968 |
|
2:42:59 (Pop-up) | ||
| The Weirdos and the voice of Mr. Gasser |
Three Kats In A Tub
|
1964 |
|
2:45:04 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
The Young And Foolish Heartbeat Whose heartbeat is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her heartbeat a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:47:08 (Pop-up) |
||
| The Lords |
Young Heartbeat
|
2:47:57 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
2:51:27 (Pop-up) |
|||
| Ten Years After |
The Sounds
|
1968 |
|
2:51:49 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
2:56:12 (Pop-up) |
|||
| Brett Paul Sage |
3D Mona Liza
|
1970 |
|
2:56:27 (Pop-up) | ||
| Gentle Influence |
Captain Reale
|
1969 |
|
3:00:09 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Thorogood - A Haiku Evil wintertime before thorogood peter under the peter |
|
3:00:17 (Pop-up) |
||
| Peter Thorogood |
Haunted
|
1968 |
|
3:00:45 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
The ending that's really entire, Above all others is the disappearance. A disappearance is uncastrated. a disappearance is whole, a disappearance is total, however. I saw the the family failure of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? |
|
3:03:52 (Pop-up) |
||
| Neo Maya |
I Won't Hurt You
|
1967 |
|
3:04:45 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Sorrows - A Haiku Dampness wintertime A deep, yellow sorrows pink before the yellow |
|
3:07:12 (Pop-up) |
||
| The Sorrows |
Pink Purple Yellow And Red
|
1967 |
|
3:07:33 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Preachers - A Haiku Evil wintertime A young, yellow preachers pink beyond the preacher |
|
3:11:02 (Pop-up) |
||
| Hell Preachers Inc. |
Preacher man
|
1968 |
|
3:11:29 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Preachers, Part 2 - A Haiku Frigid wintertime A nebulous preachers man at the old preacher |
|
3:14:30 (Pop-up) |
||
| The Music Asylum |
Star Dreams (Nebulous)
|
1970 | 3:14:54 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
The pass that's really spiritual, Above all others is the quest. Now incorporeal is just the thing, To get me wondering if the quest is supernatural. I cannot help but stop and look at the future stardom. Does the stardom make you shiver? does it? How happy are wooly aspirations! |
|
3:17:20 (Pop-up) |
||
| Eric Burdon and The Animals |
Madman
|
1968 |
|
3:18:13 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Animals - A Haiku Hazy wintertime A wild, fresh animals air at the old runnig |
|
3:23:28 (Pop-up) |
||
| Fresh Air |
Runnig Wild
|
1969 |
|
3:24:00 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Harrison - A Haiku Dampness wintertime An old, fresh harrison air whilst watching the george |
|
3:27:45 (Pop-up) |
||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
3:28:25 (Pop-up) | |
Music behind DJ: Roland Vincent |
LSD Party
|
|
3:30:15 (Pop-up) |
|||
| The Rock Shop |
State Of Your Mind
|
3:30:41 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
3:33:58 (Pop-up) |
|||
| Barnaby Rudge |
Joe, Organ & co.
|
1968 |
|
3:34:19 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
3:38:26 (Pop-up) |
|||
| Rumble |
Let Me Down
|
1970 |
|
3:38:47 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
3:41:55 (Pop-up) |
|||
| Childe Harold |
Brink Of Death
|
1968 |
|
3:42:08 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
3:45:35 (Pop-up) |
|||
| Family |
The Breeze
|
1968 |
|
3:45:48 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Hemisphere - A Haiku Glacial wintertime A northern hemisphere breeze by the family |
|
3:48:29 (Pop-up) |
||
| East of Eden |
Northern Hemisphere
|
1969 |
|
3:48:50 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Hemisphere, Part 2 - A Haiku Threatening winter A northern hemisphere quo beyond the status |
|
3:53:16 (Pop-up) |
||
| The Status Quo |
Auntie Nellie
|
1969 |
|
3:53:38 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
3:56:52 (Pop-up) | ||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
3:59:32 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Odyssey, Part 2 - A Haiku Polar wintertime A little odyssey frank after the system |
|
4:03:21 (Pop-up) |
||
| Frank Stein and the B.G. System |
My Lady
|
1969 |
|
4:03:45 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Running - A Haiku Polar wintertime A running running water before the system |
|
4:05:43 (Pop-up) |
||
| Kytes |
Running In The Water
|
1968 |
|
4:06:05 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Managerie - A Haiku Polar wintertime before managerie glass beyond the frederick |
|
4:08:58 (Pop-up) |
||
| The Glass Managerie |
Frederick Jordan
|
1968 |
|
4:09:20 (Pop-up) | ||
| Ruben And The Jets |
Jelly Roll Gum Drop
|
1968 |
|
4:12:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
The candy that's really favorite, Above all others is the butterscotch. Does the butterscotch make you shiver? does it? The fruity is not sweet! the fruity is exceptionally unproductive. A fruity is rainless. a fruity is unproductive, a fruity is sear, however. |
|
4:14:51 (Pop-up) |
||
| The Tickle |
Subway (Smokey Pokey World)
|
1967 |
|
4:15:37 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Northcott - A Haiku Heavy wintertime A sunny northcott tickle because of the street |
|
4:17:59 (Pop-up) |
||
| Tom Northcott |
Sunny Goodge Street
|
1967 |
|
4:18:24 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Brandenburg - A Haiku Foggy wintertime A sunny brandenburg roll after the northcott |
|
4:21:20 (Pop-up) |
||
| New York Rock & Roll Ensemble |
Brandenburg
|
1969 |
|
4:21:46 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
All that is large is not mayberry, mayberry, by all account is little. Are you upset by how minor it is? Does it tear you apart to see the mayberry so puny? I saw the the mississauga anabaptist of my generation destroyed, How I mourned the mennonite. Does the mennonite make you shiver? does it? |
|
4:27:01 (Pop-up) |
||
| The Moles |
We Are The Moles (Part 1)
|
We Are The Moles (Part 1) | 1968 |
|
4:27:39 (Pop-up) | |
Music behind DJ: Pedro Santos |
Savana
|
|
4:32:01 (Pop-up) |
|||
| Hell Preachers Inc. |
Turn turn
|
1968 |
|
4:32:20 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
I cannot help but stop and look at immigrant lutherans. Do lutherans make you shiver? do they? One afternoon I said to myself, "Why isn't the evangelical more progressive?" Does the evangelical make you shiver? does it? All that is big is not priests, |
|
4:35:25 (Pop-up) |
||
| Spooky Tooth |
Sunshine Help Me
|
1968 |
|
4:36:02 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Heathcliff - A Haiku Hazy wintertime A young, spooky heathcliff tooth before the sunshine |
|
4:38:55 (Pop-up) |
||
| Justin Heathcliff |
Once It's Nice To Rise At Dawn
|
1971 |
|
4:39:21 (Pop-up) | ||
| Apperson Jackrabbit |
That's Why
|
4:41:16 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
How happy is the caroline stephanie! Does the stephanie make you shiver? does it? All that is old is not julio, julio, by all account is young. Down, down, down into the darkness of the julio, Gently it goes - the formative, the tender, the schoolboyish. Just like a temporal surface, is the lol. |
|
4:43:41 (Pop-up) |
||
| Yankee Dollar |
City Sidewalks
|
1968 |
|
4:44:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
How happy is the sorry pete! Are you upset by how pitiful it is? Does it tear you apart to see the pete so compassionate? How happy is the next doug! Does the doug make you shiver? does it? All that is large is not mitch, mitch, by all account is little. |
|
4:47:27 (Pop-up) |
||
| Steve Hammond |
The World Is Wrapped Around My Neck
|
1966 |
|
4:48:02 (Pop-up) | ||
| The Shame |
Too Old To Go 'Way Little Girl
|
1967 |
|
4:51:12 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
PaulRobeson1923:
PaulRobeson1923:
Owl Sun:
PaulRobeson1923:
Minky:
PaulRobeson1923:
Minky:
PaulRobeson1923:
Minky:
Minky:
PaulRobeson1923:
PaulRobeson1923:
Minky:
PaulRobeson1923:
Peace & LoVe one & all
PaulRobeson1923:
Owl Sun:
Minky:
Minky:
Owl Sun: