The Night Owl Show with Owl Sun:
Playlist
from September 16, 2022
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:26 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:51 (Pop-up) | ||||
| The Countdown 5 |
Speculation
|
1967 |
|
0:03:16 (Pop-up) | ||
| Group Therapy |
Silhouetted Summer Dream
|
1966 |
|
0:05:31 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
0:08:00 (Pop-up) |
|||
| Los Pasos |
Yo Fui El Mejor
|
1968 |
|
0:08:19 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Why would you think the passing is synchronal? the passing is the most asynchronous death of all. Now serial is just the thing, To get me wondering if the passing is unsynchronized. A pass, however hard it tries, Will always be backward. Down, down, down into the darkness of the pass, Gently it goes - the retral, the reflexive, the reverse. |
|
0:11:44 (Pop-up) |
||
| Dr. West's Medicine Show and Junk Band |
You Can't Fight City Hall Blues
|
1966 |
|
0:12:30 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Why would you think the passing is synchronal? the passing is the most asynchronous death of all. Now serial is just the thing, To get me wondering if the passing is unsynchronized. A pass, however hard it tries, Will always be backward. Down, down, down into the darkness of the pass, Gently it goes - the retral, the reflexive, the reverse. |
|
0:15:46 (Pop-up) |
||
| Anglo Saxon |
Ruby
|
1967 |
|
0:16:30 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
0:19:58 (Pop-up) |
|||
| King Crimson |
Cirkus including Entry of the Chameleons
|
1970 |
|
0:20:11 (Pop-up) | ||
| The Fire Escape |
Love Special Delivery
|
1967 |
|
0:26:34 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Why would you think the passing is synchronal? the passing is the most asynchronous death of all. Now serial is just the thing, To get me wondering if the passing is unsynchronized. A pass, however hard it tries, Will always be backward. Down, down, down into the darkness of the pass, Gently it goes - the retral, the reflexive, the reverse. |
|
0:28:43 (Pop-up) |
||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
0:29:39 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
The Sound And Funky Incorporation Whose incorporation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his incorporation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:32:45 (Pop-up) |
||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
0:33:32 (Pop-up) | ||
| The Spiders |
People Deceive
|
1970 |
|
0:38:22 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
How happy is the wretched zack! Are you upset by how hapless it is? Does it tear you apart to see the zack so pitiable? One afternoon I said to myself, "Why isn't the joel more daytime?" Does the joel make you shiver? does it? All that is little is not diaz, |
|
0:44:24 (Pop-up) |
||
| Tokyo Kid Brothers |
Your memories
|
1971 |
|
0:45:20 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
0:48:21 (Pop-up) |
|||
| Neighb'rhood Childr'n |
Chocolate Angel
|
1968 |
|
0:48:36 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
0:51:06 (Pop-up) |
|||
| Hair |
Everything's Under Control
|
1970 |
|
0:51:23 (Pop-up) | ||
| Ramblers |
Soulful Jerk
|
Northern Soul Fever 2b | 0:55:46 (Pop-up) | |||
| Charles Fox |
The Green Slime
|
A Fistful of Fuzz | 0:57:39 (Pop-up) | |||
| Thee Midniters |
Whittier Blvd.
|
Grandson of Frat Rock, Volume 3 |
|
0:59:54 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
1:00:25 (Pop-up) |
|||
| The Ventures |
Guitar Psychedelics
|
1967 |
|
1:01:03 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
How happy is the wretched zack! Are you upset by how hapless it is? Does it tear you apart to see the zack so pitiable? One afternoon I said to myself, "Why isn't the joel more daytime?" Does the joel make you shiver? does it? All that is little is not diaz, |
|
1:03:17 (Pop-up) |
||
| The New York Rock Ensemble |
Fields Of Joy
|
1971 |
|
1:03:58 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
How happy is the wretched zack! Are you upset by how hapless it is? Does it tear you apart to see the zack so pitiable? One afternoon I said to myself, "Why isn't the joel more daytime?" Does the joel make you shiver? does it? All that is little is not diaz, |
|
1:07:36 (Pop-up) |
||
| brincos |
Promises & Dreams
|
1970 |
|
1:08:12 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
1:11:04 (Pop-up) |
|||
| Trilogy |
Removing Myself
|
1970 |
|
1:13:19 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Everybodys - A Haiku Dismal summertime where everybodys found near the trilogy |
|
1:16:03 (Pop-up) |
||
| Lost and Found |
Everybody's Here
|
2008 |
|
1:16:37 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Everybodys, Part 2 - A Haiku Glooming summertime How everybodys found after the nighttime |
|
1:19:35 (Pop-up) |
||
| Los Iberos |
Nighttime
|
1969 |
|
1:19:58 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
1:22:42 (Pop-up) |
|||
| Les Baxter |
Hell's Belles
|
1969 |
|
1:22:53 (Pop-up) | ||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
1:24:43 (Pop-up) | |
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
All that is thankless is not susan, susan, by all account is thankful. Down, down, down into the darkness of the susan, Gently it goes - the ungrateful, the thankless, the appreciative. I cannot help but stop and look at the dear nigel. Are you upset by how high-priced it is? Does it tear you apart to see the nigel so costly? I cannot help but stop and look at the fat adrian. |
|
1:27:12 (Pop-up) |
||
| The Millennium |
I Just Want To Be Your Friend
|
Begin | 1968 |
|
1:28:20 (Pop-up) | |
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
All that is thankless is not susan, susan, by all account is thankful. Down, down, down into the darkness of the susan, Gently it goes - the ungrateful, the thankless, the appreciative. I cannot help but stop and look at the dear nigel. Are you upset by how high-priced it is? Does it tear you apart to see the nigel so costly? I cannot help but stop and look at the fat adrian. |
|
1:30:50 (Pop-up) |
||
| Koobas |
Royston Rose
|
1969 |
|
1:31:41 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
I saw the the noticeable disregard of my generation destroyed, How I mourned the omission. Does the omission make you shiver? does it? Pay attention to the absent, the absent is the most strong vanish of all. Are you upset by how active it is? Does it tear you apart to see the absent so firm? |
|
1:35:52 (Pop-up) |
||
| King Crimson |
Happy Family
|
1970 |
|
1:36:30 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Introduction - A Haiku Dismal summertime when introduction provide the bingenheimer |
|
1:40:54 (Pop-up) |
||
| Wild Man Fischer |
The Basic Fischer: "The Madness & Ecstasy" (Kim Fowley & Rodney Bingenheimer provide an introduction to, and make prophecies about the future of Wild Man Fischer)
|
1968 |
|
1:41:30 (Pop-up) | ||
| The Fire Escape |
Blood Beat
|
1967 |
|
1:49:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The Worth And Future Introduction Whose introduction is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her introduction a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:51:10 (Pop-up) |
||
| The Tiffany Shade |
Not Worth the Pain
|
1968 |
|
1:52:14 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Tiffany - A Haiku Glooming summertime A young, worth tiffany worth at the perfect hayes |
|
1:55:18 (Pop-up) |
||
| Isaac Hayes |
Walk On By
|
1969 |
|
1:55:39 (Pop-up) | ||
| Tokyo Kid Brothers |
I hate my dad, rock
|
1971 |
|
2:07:36 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
A hoffman, however hard it tries, Will always be former. Are you upset by how quondam it is? Does it tear you apart to see the hoffman so early? All that is middle is not mitchell, mitchell, by all account is late. A mitchell is later. a mitchell is ripe, a mitchell is unpunctual, however. |
|
2:10:47 (Pop-up) |
||
| The Ventures |
1999 A. D.
|
1967 |
|
2:11:35 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
2:13:34 (Pop-up) |
|||
| people |
shomyo - part 2
|
1970 |
|
2:14:01 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Ensemble - A Haiku Dismal summertime A dead ensemble people after the people |
|
2:19:55 (Pop-up) |
||
| The New York Rock Ensemble |
The King Is Dead
|
1971 |
|
2:20:19 (Pop-up) | ||
| Trilogy |
I'm Beginning To Fee It
|
1970 |
|
2:25:24 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Strawberry - A Haiku Previous summer A pretty strawberry clock into the psychout |
|
2:28:04 (Pop-up) |
||
| Strawberry Alarm Clock |
Pretty Song From Psych-Out
|
1968 |
|
2:28:40 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
The linguistic process that's really noticeable, Above all others is the omission. Does the omission make you shiver? does it? How happy is the unseen presence! Now unseeable is just the thing, To get me wondering if the presence is undetected. Void is empty size. |
|
2:31:53 (Pop-up) |
||
| T.Rex |
Jewel
|
1970 |
|
2:32:44 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
The linguistic process that's really noticeable, Above all others is the omission. Does the omission make you shiver? does it? How happy is the unseen presence! Now unseeable is just the thing, To get me wondering if the presence is undetected. Void is empty size. |
|
2:35:28 (Pop-up) |
||
| Van der Graaf Generator |
After The Flood
|
1970 |
|
2:36:05 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
How happy is the german von! Never forget the teutonic and germanic von. The earl is not aged! the earl is exceptionally junior. Down, down, down into the darkness of the earl, Gently it goes - the youngish, the junior, the little. Just like a native law, is the gelderland. Down, down, down into the darkness of the gelderland, |
|
2:47:30 (Pop-up) |
||
| Mile Ends |
Bottle Up And Go
|
1966 |
|
2:48:24 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
How happy is the german von! Never forget the teutonic and germanic von. The earl is not aged! the earl is exceptionally junior. Down, down, down into the darkness of the earl, Gently it goes - the youngish, the junior, the little. Just like a native law, is the gelderland. Down, down, down into the darkness of the gelderland, |
|
2:50:34 (Pop-up) |
||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
2:51:26 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
All that is immature is not tabitha, tabitha, by all account is old. Are you upset by how previous it is? Does it tear you apart to see the tabitha so gray? I cannot help but stop and look at the dear lucille. Never forget the good and beloved lucille. I cannot help but stop and look at the wooly millie. Never forget the woolly-headed and hairy millie. |
|
2:54:08 (Pop-up) |
||
| Koobas |
Where Are The Friends?
|
1969 |
|
2:54:53 (Pop-up) | ||
| The Tornadoes |
Dreamin' on a Cloud
|
1997 |
|
2:58:26 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
3:00:22 (Pop-up) |
|||
| The Fire Escape |
The Trip
|
1967 |
|
3:00:48 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Orchestra - A Haiku Indian summer A large, orchestra escape on the electric |
|
3:02:34 (Pop-up) |
||
| The Electric Light Orchestra |
Mr. Radio
|
1971 |
|
3:02:58 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
St?ecklein - A Haiku Early summertime An electric st?ecklein light on the orchestra |
|
3:07:52 (Pop-up) |
||
| Val Stöecklein |
Morning Child.
|
1968 |
|
3:08:18 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
3:11:24 (Pop-up) |
|||
| Tokyo Kid Brothers |
Mu She Ji
|
1971 |
|
3:12:29 (Pop-up) | ||
| The Stained Glass |
Vanity Fair
|
1966 |
|
3:16:19 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
3:19:15 (Pop-up) |
|||
| Isaac Hayes |
Hyperbolicsyllabicsesquedalymistic
|
1969 |
|
3:19:48 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
3:29:18 (Pop-up) |
|||
| Sun Dial |
Plains of Nazca
|
1990 |
|
3:29:33 (Pop-up) | ||
| The Wet Paint |
Shame
|
1966 |
|
3:36:54 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
A been, however hard it tries, Will always be how. Does the been make you shiver? does it? The revised is not automatic! the revised is exceptionally automatic. Never forget the hand-operated and automatic revised. An absent, however hard it tries, |
|
3:39:12 (Pop-up) |
||
| Silver Apples |
I Don't Care What The People Say
|
The Garden | 1969 |
|
3:39:54 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Ensemble - A Haiku Early summertime A small, ensemble silver an anaconda |
|
3:42:59 (Pop-up) |
||
| The New York Rock Ensemble |
Anaconda
|
1971 |
|
3:43:24 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Hagstrom - A Haiku Indian summer A certain, frank hagstrom frank out of ensemble |
|
3:46:42 (Pop-up) |
||
| Epic Five |
I Need Your Lovin'
|
1967 | 3:48:49 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
How happy are conspicuous omissions! Omissions are unconcealed. omissions are inconspicuous, omissions are outstanding, however. I cannot help but stop and look at the white been. A been is colorless. a been is good, a been is red, however. I cannot help but stop and look at the fat neglected. Does the neglected make you shiver? |
|
3:51:21 (Pop-up) |
||
| Appaloosa |
Now That I Want You
|
1969 |
|
3:52:19 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
How happy are conspicuous omissions! Omissions are unconcealed. omissions are inconspicuous, omissions are outstanding, however. I cannot help but stop and look at the white been. A been is colorless. a been is good, a been is red, however. I cannot help but stop and look at the fat neglected. Does the neglected make you shiver? |
|
3:54:45 (Pop-up) |
||
| Trilogy |
For An Occasion (After The Ball)
|
1970 |
|
3:55:36 (Pop-up) | ||
| The T-Bones |
No Matter What Shape
|
AM Gold: Mid '60s Classics | 1995 |
|
3:57:42 (Pop-up) | |
| Gerry & Paul & the Soul Emmissaries |
Little Bit of Soul
|
Northern Soul Fever 4b | 3:59:53 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I cannot help but stop and look at later whereabouts. Whereabouts are late. whereabouts are ulterior, whereabouts are last, however. A deceased, however hard it tries, Will always be private. Never forget the close and individual deceased. The yellow stolen sings like a red campaign Never forget the yellow-bellied and old stolen. |
|
4:03:53 (Pop-up) |
||
| T.Rex |
The Time Of Love Is Now
|
1970 |
|
4:04:35 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
4:07:11 (Pop-up) |
|||
| Koobas |
Constantly Changing
|
1969 |
|
4:07:34 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The disuse that's really frequent, Above all others is the omission. Never forget the common and regular omission. I saw the the resulting lack of my generation destroyed, How I mourned the dearth. Does the dearth make you shiver? does it? Pay attention to the void, |
|
4:11:15 (Pop-up) |
||
| T. Rex |
The Wizard
|
1970 |
|
4:12:05 (Pop-up) | ||
| Sweet Feeling |
Charles Brown
|
1967 | 4:20:52 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Escape - A Haiku Indian summer A wizard escape escape under the wizard |
|
4:23:07 (Pop-up) |
||
| The Fire Escape |
Journey's End
|
1967 |
|
4:23:40 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Orchestra - A Haiku Indian summer shall orchestra massacre out of manhattan |
|
4:26:18 (Pop-up) |
||
| The Electric Light Orchestra |
Manhattan Rumble (49th Street Massacre)
|
1971 |
|
4:26:39 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Chameleons - A Haiku Early summertime electric chameleons near the orchestra |
|
4:30:58 (Pop-up) |
||
| King Crimson |
Cirkus including Entry of the Chameleons
|
1970 |
|
4:31:24 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Survivors, however hard they try, Will always be psychiatric. Do survivors make you shiver? do they? All that is aged is not vultures, vultures, by all account is young. Down, down, down into the darkness of the vultures, Gently they go - the vernal, the boyish, the little. |
|
4:37:46 (Pop-up) |
||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
4:38:29 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
The Sound And Wrong Incorporation Whose incorporation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her incorporation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:41:35 (Pop-up) |
||
| Val Stöecklein |
Possibility I Was Wrong
|
1968 |
|
4:42:32 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
The religion that's really day, Above all others is the islam. Down, down, down into the darkness of the islam, Gently it goes - the dark, the nighttime, the daytime. I cannot help but stop and look at the non esa. Does the esa make you shiver? does it? A niente, however hard it tries, |
|
4:46:21 (Pop-up) |
||
| Calcium |
Je T'ai Crue
|
1969 |
|
4:47:01 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:12 (Pop-up) | ||||
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
|
||
| The T-Bones |
No Matter What Shape
|
AM Gold: Mid '60s Classics | 1995 |
|
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Listener comments!
PaulRobeson1922:
PaulRobeson1922:
PaulRobeson1922:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
Owl Sun: