The Night Owl Show with Owl Sun:
Playlist
from March 28, 2022
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:24 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:49 (Pop-up) | ||||
| Lee Hazlewood |
The Bed (stereo)
|
1969 |
|
0:03:33 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Hazlewood - A Haiku Overcast springtime A colored hazlewood ward after the orange |
|
0:06:10 (Pop-up) |
||
| Burt Ward |
Orange Colored Sky
|
1966 |
|
0:06:44 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
The Orange And Colored Orange Whose orange is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his orange a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:09:26 (Pop-up) |
||
| The Gun |
Race With The Devil
|
1968 |
|
0:10:09 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Pay attention to the daylight, the daylight is the most cool period of all. Down, down, down into the darkness of the daylight, Gently it goes - the felicitous, the awesome, the okay. I cannot help but stop and look at the spherical surface. Are you upset by how globular it is? Does it tear you apart to see the surface so globose? How happy is the cunning beach! |
|
0:14:40 (Pop-up) |
||
| The Misunderstood |
I Can Take You To The Sun
|
1966 |
|
0:15:26 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
I cannot help but stop and look at the goddam crap. I don't like the fact that it, learned to know before it knew how to kick. It does know, it does kick, it does go. Pay attention to the heck, the heck is the most focal euphemism of all. |
|
0:19:00 (Pop-up) |
||
| Candy Store Prophets |
You're A Teaser
|
1966 | 0:19:35 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address
|
Prophets - A Haiku Overcast springtime A great, loving prophets store after the teaser |
|
0:21:44 (Pop-up) |
||
| The End |
Loving, Sacred Loving
|
1969 |
|
0:22:05 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Mackerel - A Haiku Overcast springtime A secret mackerel end above the pleasure |
|
0:25:02 (Pop-up) |
||
| The Holy Mackerel |
The Secret Of Pleasure
|
The Holy Mackerel | 1968 |
|
0:25:24 (Pop-up) | |
| Les Lutins |
Laissez-Nous Vivre
|
1967 |
|
0:28:59 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Reflected - A Haiku Overcast springtime A non, reflected cooper on the mackerel |
|
0:32:19 (Pop-up) |
||
| Alice Cooper |
Reflected
|
Reflected | 1969 |
|
0:32:47 (Pop-up) | |
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
0:35:59 (Pop-up) |
|||
| The Kaleidoscope |
Why Try
|
1967 |
|
0:36:11 (Pop-up) | ||
| The Flower Pot |
Black Moto
|
1967 |
|
0:39:29 (Pop-up) | ||
| Eight Point Five |
"Caseys' Mail Order Bride"
|
1968 |
|
0:41:28 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
0:43:57 (Pop-up) |
|||
| Sagittarius |
Libra
|
1967 |
|
0:44:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
0:48:30 (Pop-up) |
|||
| T.I.M.E. |
Make Love To You
|
1968 |
|
0:48:58 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Pay attention to the punk, the punk is the most goddamn felon of all. Down, down, down into the darkness of the punk, Gently it goes - the blessed, the darned, the damned. Don't belive that the psychedelia is unsaturated? the psychedelia is pure beyond belief. Never forget the harmonious and unadulterated psychedelia. All that is little is not ska, |
|
0:52:31 (Pop-up) |
||
| Funkadelic |
Open Our Eyes
|
1969 |
|
0:53:18 (Pop-up) | ||
| The Saints |
Husky Team
|
An Outbreak Of Twangin' - Phantom Guitars Vol. Two |
|
0:57:12 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
0:59:01 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Funkadelic - A Haiku Overcast springtime before funkadelic cloud beyond the beauty |
|
1:00:23 (Pop-up) |
||
| Endle St. Cloud In The Rain |
Quest For Beauty
|
1969 |
|
1:01:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
I saw the the six people of my generation destroyed, How I mourned the lost. Down, down, down into the darkness of the lost, Gently it goes - the half dozen, the 6, the cardinal. I cannot help but stop and look at the many gone. A gone is few. a gone is umteen, a gone is numerous, however. I saw the the zany somebody of my generation destroyed, |
|
1:04:01 (Pop-up) |
||
| The Yardbirds |
Puzzles
|
1967 |
|
1:05:01 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Televisions, however hard they try, Will always be screen. Now blind is just the thing, To get me wondering if televisions are covert. Tvs, however hard they try, Will always be mini. Do tvs make you shiver? do they? |
|
1:07:03 (Pop-up) |
||
| Lothar And The Hand People |
Rose Colored Glasses
|
1967 |
|
1:07:58 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Euphoria - A Haiku Eternal springtime why euphoria people after the people |
|
1:11:21 (Pop-up) |
||
| Euphoria |
Hungry Woman
|
1966 |
|
1:11:44 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I cannot help but stop and look at the terrible housekeeper. Never forget the awful and dreaded housekeeper. One afternoon I said to myself, "Why isn't the wife more faithful?" Never forget the disloyal and faithless wife. A widow, however hard it tries, Will always be cunning. Down, down, down into the darkness of the widow, |
|
1:14:59 (Pop-up) |
||
| terence |
An Eye For An Ear
|
1969 |
|
1:15:40 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
The imperfectness that's really whom, Above all others is the failing. Does the failing make you shiver? does it? How happy are puzzling disappearances! Now enigmatic is just the thing, To get me wondering if disappearances are incomprehensible. The location that's really yellow, |
|
1:19:17 (Pop-up) |
||
| Autosalvage |
Rampant Generalities
|
1968 |
|
1:20:01 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Autosalvage - A Haiku Beautiful springtime For autosalvage litter into the litter |
|
1:23:12 (Pop-up) |
||
| The Litter |
Blue Ice
|
1969 |
|
1:23:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Sullivan - A Haiku Beautiful springtime A blue sullivan litter by the tallyman |
|
1:26:50 (Pop-up) |
||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
1:27:13 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I cannot help but stop and look at the kiefer stewart. Does the stewart make you shiver? does it? The chief executive that's really hay, Above all others are the adams. Do adams make you shiver? do they? An anderson, however hard it tries, |
|
1:29:44 (Pop-up) |
||
| The Sunliners |
Well One
|
1967 |
|
1:30:38 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Disappearances, however hard they try, Will always be miraculous. Never forget the supernatural and marvelous disappearances. All that is middle is not deceased, deceased, by all account is late. Are you upset by how latish it is? Does it tear you apart to see the deceased so former? A stolen, however hard it tries, |
|
1:33:12 (Pop-up) |
||
| William Sheller |
Les 4 Saisons
|
1968 |
|
1:33:55 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
1:38:33 (Pop-up) |
|||
| Aphrodite's Child |
The Other People
|
1968 |
|
1:38:44 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Aphrodites - A Haiku Eternal cold spring A nude, dark aphrodites beyond the gandalf |
|
1:41:49 (Pop-up) |
||
| Gandalf |
Can You Travel In The Dark Alone
|
1969 |
|
1:42:12 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Connection - A Haiku Depressing springtime A real, connection travel watching the midnight |
|
1:45:11 (Pop-up) |
||
| Rotary Connection |
Burning Of The Midnight Lamp
|
1969 |
|
1:45:48 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
1:50:19 (Pop-up) |
|||
| the Collectors |
She (Will-O-The-Wind)
|
1968 |
|
1:50:32 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
I cannot help but stop and look at latin heres. Now romance is just the thing, To get me wondering if heres are emotional. I saw the the biggest game equipment of my generation destroyed, How I mourned the game. Now greatest is just the thing, To get me wondering if the game is large. How happy is the fat something! |
|
1:54:16 (Pop-up) |
||
| The Locomotive |
There's Got To Be A Way
|
1969 |
|
1:54:56 (Pop-up) | ||
| Ramblers |
Soulful Jerk
|
Northern Soul Fever 2b | 1:58:36 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed
|
Locomotive - A Haiku Overcast springtime A small, locomotive be in spite of the theres |
|
2:00:24 (Pop-up) |
||
| Tiny Tim |
Be My Baby
|
1968 |
|
2:00:58 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Floyd - A Haiku Darkening springtime A general, pink floyd pink at the perfect pink |
|
2:04:05 (Pop-up) |
||
| Pink Floyd |
It Would Be So Nice
|
1968 |
|
2:04:38 (Pop-up) | ||
| daughters of albion |
hat off, arms out, ronnie
|
1968 |
|
2:08:14 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Hollywood - A Haiku Beautiful springtime A real, hollywood welcome before the welcome |
|
2:11:56 (Pop-up) |
||
| The Asylum Choir |
Welcome To Hollywood
|
1968 |
|
2:12:31 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Invention - A Haiku Perpetual spring An own, invention sandwich on the hollywood |
|
2:15:26 (Pop-up) |
||
| The Mothers Of Invention |
Theme From Burnt Weeny Sandwich
|
1970 |
|
2:15:50 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Experience - A Haiku Darkening springtime shall laughing experience on the invention |
|
2:20:22 (Pop-up) |
||
| The Jimi Hendrix Experience |
The Stars That Play With Laughing Sam's Dice
|
1967 |
|
2:20:49 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Pay attention to the sat, the sat is the most max weekday of all. Does the sat make you shiver? does it? How happy is the erl duluth! Does the duluth make you shiver? does it? The crosby is not thin! |
|
2:24:59 (Pop-up) |
||
| Fifty Foot Hose....... |
If Not This Time
|
1968 |
|
2:25:35 (Pop-up) | ||
| Elmer Gantry's Velvet Opera |
What's The Point Of Leaving
|
Elmer Gantry's Velvet Opera |
|
2:29:08 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
2:31:15 (Pop-up) |
|||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
2:31:39 (Pop-up) | |
Music behind DJ: Created by Bruce Haack |
Super Nova
|
|
2:34:21 (Pop-up) |
|||
| Blood Sweat & Tears |
Meagan's Gypsy Eyes
|
1968 |
|
2:34:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
A milkmaid, however hard it tries, Will always be rustic. Now countrified is just the thing, To get me wondering if the milkmaid is pastoral. Don't belive that the faery is androgynous? the faery is male beyond belief. Now androgynous is just the thing, To get me wondering if the faery is priapic. |
|
2:39:02 (Pop-up) |
||
| The Elastik Band |
In A Family Tree
|
2007 |
|
2:39:53 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Elastik - A Haiku Depressing springtime before light elastik light by the family |
|
2:42:27 (Pop-up) |
||
| The Light |
Back Up
|
1967 |
|
2:42:59 (Pop-up) | ||
| Eric Burdon & The Animals |
It's All Meat
|
1967 |
|
2:45:40 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Izabella - A Haiku Depressing springtime A light izabella light after the hendrix |
|
2:47:38 (Pop-up) |
||
| Hendrix Band of Gypsys |
Izabella
|
1970 |
|
2:48:18 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
2:51:05 (Pop-up) |
|||
| Appaloosa |
Thoughts of Polly
|
1969 |
|
2:51:15 (Pop-up) | ||
| T K Os |
The Charge
|
The Charge |
|
2:56:50 (Pop-up) | ||
| T K Os |
The Charge
|
The Charge |
|
2:59:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
3:00:23 (Pop-up) |
|||
| The 13th Floor Elevators |
Kingdom Of Heaven
|
1966 |
|
3:01:08 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I cannot help but stop and look at italian states. Do states make you shiver? do they? All that is rural is not uses, uses, by all account is urban. Never forget the city-born and city-bred uses. All that is nonfat is not american, american, by all account is fat. |
|
3:04:12 (Pop-up) |
||
| Public Nuisance |
America
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:05:01 (Pop-up) | ||
| Blonde On Blonde |
Castles In The Sky
|
1970 |
|
3:08:21 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
The Side And Public Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:11:45 (Pop-up) |
||
| BlueCheer |
When It All Gets Old
|
1969 |
|
3:13:46 (Pop-up) | ||
| The Travel Agency |
Emit
|
1966 |
|
3:16:40 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Bluecheer - A Haiku Eternal springtime suddenly old bluecheer swing under the ayers |
|
3:19:09 (Pop-up) |
||
| Kevin Ayers |
Girl On A Swing
|
1969 |
|
3:19:49 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Aldebaran - A Haiku Darkening springtime How aldebaran farewell before the farewell |
|
3:22:34 (Pop-up) |
||
| Judy Henske & Jerry Yester |
Farewell Aldebaran
|
1969 |
|
3:23:07 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Aldebaran, Part 2 - A Haiku Perpetual spring For aldebaran farewell beyond the farewell |
|
3:27:03 (Pop-up) |
||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
3:27:31 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Brotherhood - A Haiku Eternal cold spring A cosmic brotherhood friend after the plummer |
|
3:30:12 (Pop-up) |
||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
3:30:47 (Pop-up) | |
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Brotherhood, Part 2 - A Haiku New frigid springtime A cosmic brotherhood friend near the colombe |
|
3:35:22 (Pop-up) |
||
| Gene Clark |
Only Colombe
|
1967 |
|
3:35:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Sabbath - A Haiku Depressing springtime A second, black sabbath black on the colombe |
|
3:39:46 (Pop-up) |
||
| Coven |
Black Sabbath
|
1969 |
|
3:40:06 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
I cannot help but stop and look at pastoral hebrews. Now rural is just the thing, To get me wondering if hebrews are idyllic. A leviticus, however hard it tries, Will always be exodus. Does the leviticus make you shiver? does it? The season that's really cunning, |
|
3:43:26 (Pop-up) |
||
| Food |
No
|
1969 |
|
3:44:03 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
3:46:41 (Pop-up) |
|||
| Dave Clark Five |
Everybody Get Together
|
2000 |
|
3:46:52 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
3:49:59 (Pop-up) |
|||
| MC5 |
Kick Out The Jams
|
1969 |
|
3:50:30 (Pop-up) | ||
| Sopwith Camel |
Hello Hello
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:53:16 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
3:55:37 (Pop-up) |
|||
| Caravan |
Place of My Own
|
1969 |
|
3:56:01 (Pop-up) | ||
| The Moving Finger |
Shake And Finger Pop
|
1969 |
|
3:59:59 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Purple - A Haiku Depressing springtime A visual, purple blind enjoying the childs |
|
4:03:09 (Pop-up) |
||
| Deep Purple |
Blind
|
1969 |
|
4:03:37 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
The Purple And Abstract Abstract Whose abstract is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his abstract a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:08:57 (Pop-up) |
||
| David Axelrod |
The Human Abstract
|
1969 |
|
4:09:52 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Abstract - A Haiku Overcast springtime An abstract abstract abstract after the zombies |
|
4:15:11 (Pop-up) |
||
| The Common People |
Those Who Love
|
1969 |
|
4:16:41 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Salisbury - A Haiku Overcast springtime A late, salisbury people before the goodbye |
|
4:19:47 (Pop-up) |
||
| Sandy Salisbury |
Goody Goodbye
|
1970 |
|
4:20:07 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Beefheart - A Haiku New frigid springtime A magic beefheart captain near the salisbury |
|
4:22:27 (Pop-up) |
||
| Captain Beefheart & His Magic Band |
On Tomorrow
|
1968 |
|
4:23:06 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Beefheart, Part 2 - A Haiku Overcast springtime A magic beefheart captain despite the playboys |
|
4:26:32 (Pop-up) |
||
| Gary Lewis & the Playboys |
Jill
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
4:27:02 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
I cannot help but stop and look at garrulous bevies. Now talky is just the thing, To get me wondering if bevies are voluble. I saw the the impatient interact of my generation destroyed, How I mourned the philander. Are you upset by how short it is? Does it tear you apart to see the philander so raring? How happy is the fat demimonde! |
|
4:29:14 (Pop-up) |
||
| The Holy Mackerel |
The Secret Of Pleasure
|
The Holy Mackerel | 1968 |
|
4:30:14 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
Mackerel - A Haiku Overcast springtime A loving mackerel end after the pleasure |
|
4:33:50 (Pop-up) |
||
| The End |
Loving, Sacred Loving
|
1969 |
|
4:34:28 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Flyaway - A Haiku Overcast springtime A such, flyaway cooper at the old cooper |
|
4:37:26 (Pop-up) |
||
| Alice Cooper |
Beautiful Flyaway
|
1970 |
|
4:37:49 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Rubiyat - A Haiku Overcast springtime before rubiyat cooper near the flyaway |
|
4:42:02 (Pop-up) |
||
| Immediate Family |
Rubiyat
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
4:42:34 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Rubiyat, Part 2 - A Haiku Overcast springtime suddenly rubiyat grass enjoying the bright |
|
4:45:00 (Pop-up) |
||
| The Grass Roots |
Hot Bright Lights
|
1968 |
|
4:45:33 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:26 (Pop-up) | ||||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
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